
Thomas GainsboroughRegno Unito, 1727–1788Coniugi Andrews
Mr and Mrs Andrews
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Dove si trova «Coniugi Andrews» oggi? Collezione: National Gallery, Londra. Non esposta al momento. Verificato 12 ottobre 2026.
Londra, Regno Unito
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Sul dipinto
I Coniugi Andrews è un dipinto a olio su tela (69,8x119,4 cm) di Thomas Gainsborough, databile al 1750 circa e conservato nella National Gallery di Londra.
Scheda
- Numero di inventario
- NG6301
In catalogo
Esposizioni
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National Gallery · 12 ott 2026 — oggi · Verificato
Non si sa se fosse esposta
National Gallery · 29 set 2026 — 12 ott 2026 · Non confermato
Fonti
- Wikidata
- Immagine: National Gallery — Thomas Gainsborough · Public domain · Wikimedia Commons
Nella vita di Thomas Gainsborough
Tutta la vita1740s
Making a living in London: landscapes, restoration, prints
Landscapes interest the young man most — plant sketches from the 1740s survive. He earns his living with landscapes on commission, touches up old paintings, assists the engraver John Boydell, and helps Francis Hayman decorate the supper boxes in Vauxhall Gardens.
15 July 1746
Marriage to Margaret Burr
On 15 July 1746 Gainsborough marries Margaret Burr, an illegitimate daughter of the Duke of Beaufort.
1748
His father dies; back to Sudbury
Gainsborough's father, John, dies in 1748. With no new commissions coming in London, the painter returns to Sudbury, to the house of his childhood.
c. 1749
Landscapes do not pay: a turn to portraiture
Gainsborough has always thought of himself as a landscape painter, but landscapes bring no income: in the England of the day they count as a “low genre”. Around 1749 he unites portrait and landscape in one composition for the first time, in “Mr and Mrs Andrews”.
31 gennaio 1750
Daughter born: Mary Gainsborough Fischer
1750s
Portraits pay the bills: the example of Hogarth
Gainsborough's main income comes from portraits; in this genre he tries to follow Hogarth, caring more about likeness than about conveying the sitter's social standing. Around 1753, probably, he receives a flattering commission for a portrait of Admiral Vernon, and he paints many members of his own family — for example a self-portrait of 1754 in a tricorn hat.



