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  1. Collezione/
  2. National Portrait Gallery/
  3. Millard Fillmore
Millard Fillmore, Mathew B. Brady, c. 1860

Millard Fillmore

c. 1860 · Photograph

Scheda

c. 1860
18231896
Numero di inventario
NPG.77.352

Nel frattempo, nella vita di Mathew B. Brady

Tutta la vita
  1. 1850s

    His eyesight begins to fail

    In the 1850s Brady’s eyesight begins to deteriorate; this may in part explain why he later rarely visited the battlefields himself and why many images in his collection are thought to be the work of his assistants.

  2. 1861

    Lincoln permits him to photograph the war

    Taken with the idea of documenting the war itself, Brady first asks his old friend General Winfield Scott, and then President Lincoln, for permission to send his photographers to the battle sites; Lincoln agrees in 1861 on condition that Brady finances the project himself. Despite the dangers, the financial risk and his friends’ discouragement, he said he simply had to go.

  3. 1861

    Under fire at Bull Run

    His first popular photographs of the conflict are taken at the First Battle of Bull Run, where he gets so close to the action that he barely avoids capture; later he comes under direct fire at Petersburg and Fredericksburg.

  4. 1861

    Hires photographers with travelling darkrooms

    He employs Alexander Gardner, James Gardner, Timothy H. O’Sullivan, William Pywell, George N. Barnard, Thomas C. Roche and seventeen other men, giving each a travelling darkroom. Brady himself generally resides in Washington, organizing his assistants and rarely visiting the battlefields, so many images in his collection are the work of his assistants.

  5. 1861

    Offers parents portraits of departing soldiers

Altre opere di Mathew B. Brady

Tutte le opere

Sotto lo stesso tetto: National Portrait Gallery

Pagina del museo

Sullo stesso tema · Chain

Tutte le opere sul tema

When the Civil War begins, sales of cartes de visite to departing soldiers rise briskly; in the New-York Daily Tribune Brady runs an advertisement warning parents that it may soon be too late to capture their sons’ likenesses.

  • October 1862

    Exhibition “The Dead of Antietam”

    He opens, in his New York gallery, an exhibition of photographs of the Battle of Antietam; many of the images show corpses, a presentation new to America — the first time many Americans saw the realities of war in photographs rather than in artists’ impressions.

  • Mathew B. Brady, ritrattoMathew B. BradyStati Uniti, 1823–1896

    Si può ammirare?

    Non si sa

    NPG
    National Portrait Gallery

    Washington, Stati Uniti

    Il proprietario è noto; non si sa se oggi sia esposta.

    Ultimo cambio di stato
    5 ott 2026
    Fonte
    Il museo
    Sulla mappaPagina del museo

    Che cosa raffigura

    ChainLegislatorsChancellorNeckwearDress accessoriesJewelryHome FurnishingsCarte-de-visite

    In catalogo

    FotografieStampa all’albuminaRealismoImpressionismoXIX secolo

    Fonti

    • National Portrait Gallery
    • Immagine: National Portrait Gallery — National Portrait Gallery, Smithsonian Institution (CC0)
    Untitled, Mathew B. Brady, 1860-70

    Untitled

    1860-70 · Non esposta · Museum of Modern Art

    Ernestine Souvenir, Mathew B. Brady, 1860-69

    Ernestine Souvenir

    1860-69 · Non esposta · Museum of Modern Art

    Untitled, Mathew B. Brady, c. 1860

    Untitled

    c. 1860 · Non esposta · Museum of Modern Art

    General Ulysses S. Grant, Mathew B. Brady, 1861-65

    General Ulysses S. Grant

    1861-65 · Non esposta · Museum of Modern Art

    President Lincoln, Mathew B. Brady, c. 1862

    President Lincoln

    c. 1862 · Non esposta · Museum of Modern Art

    Ruins of Richmond, Mathew B. Brady, 1863-65

    Ruins of Richmond

    1863-65 · Non esposta · Museum of Modern Art

    Ruins of the Gallego Flour Mills, Richmond, Virginia, Mathew B. Brady (studio of), Alexander Gardner, 1865

    Ruins of the Gallego Flour Mills, Richmond, Virginia

    1865 · Non esposta · Museum of Modern Art

    Ruins of Richmond & Petersburg Railroad Bridge, Richmond, Virginia, Mathew B. Brady, April 1865

    Ruins of Richmond & Petersburg Railroad Bridge, Richmond, Virginia

    April 1865 · Non esposta · Museum of Modern Art

    Robert F. Kennedy, Gardner Cox, 1968

    Gardner Cox

    Robert F. Kennedy, 1968

    Babe Ruth, Paolo Garretto, 1929

    Paolo Garretto

    Babe Ruth, 1929

    Alice Dunbar Nelson, Laura Wheeler Waring, 1927

    Laura Wheeler Waring

    Alice Dunbar Nelson, 1927

    Pauline Morton Sabin, Philip Alexius de László, 1926

    Philip Alexius de László

    Pauline Morton Sabin, 1926

    Adolph Ochs, Philip Alexius de László, 1926

    Philip Alexius de László

    Adolph Ochs, 1926

    Samuel Gompers, Moses Wainer Dykaar, 1924

    Moses Wainer Dykaar

    Samuel Gompers, 1924

    Alexander Graham Bell, Moses Wainer Dykaar, 1922

    Moses Wainer Dykaar

    Alexander Graham Bell, 1922

    Lillian D. Wald, William Valentine Schevill, 1919

    William Valentine Schevill

    Lillian D. Wald, 1919

    Untitled, Robert Frank, c. 2012

    Robert Frank

    Untitled, c. 2012

    Non esposta · National Gallery of Art

    Tomb of the Unknown Slave, Saint Augustine Catholic Church, New Orleans, Louisiana 2019, Mitch Epstein, 2019, printed 2025

    Mitch Epstein

    Tomb of the Unknown Slave, Saint Augustine Catholic Church, New Orleans, Louisiana 2019, 2019, printed 2025

    Non esposta · National Gallery of Art

    Butterfly on Bicycle Chain, Hue, Vietnam 1992, Mitch Epstein, 1992, printed 2025

    Mitch Epstein

    Butterfly on Bicycle Chain, Hue, Vietnam 1992, 1992, printed 2025

    Non esposta · National Gallery of Art

    They Will Torture You My Friend, Nancy Spero and Leon Golub, 1971 (published 1972)

    Leon Golub

    They Will Torture You My Friend, 1971 (published 1972)

    Non esposta · National Gallery of Art

    Pomona, California, Wright Morris, 1937

    Wright Morris

    Pomona, California, 1937

    Non esposta · National Gallery of Art

    Dresser Drawer, Ed's Place, near Norfolk, Nebraska, Wright Morris, 1947

    Wright Morris

    Dresser Drawer, Ed's Place, near Norfolk, Nebraska, 1947

    Non esposta · National Gallery of Art

    Scarperia, Italy, Emmet Gowin, 1975, printed 1976

    Emmet Gowin

    Scarperia, Italy, 1975, printed 1976

    Non esposta · National Gallery of Art

    Untitled, Melvin Edwards, 1995

    Melvin Edwards

    Untitled, 1995

    Non esposta · National Gallery of Art