ART WIKI33.040 in sala
MappaCollezioneArtistiMuseiMostreRivista
Accedi

ART WIKI

Dove è appeso il capolavoro, e quando si può entrare.

Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (6 musei), Paris Musées (12 musei) e Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei). Le immagini appartengono ai titolari dei diritti.

Sezioni

  • Mappa
  • Ricerca
  • Collezione
  • Capolavori
  • Esposte ora
  • Artisti

Altro

  • Musei e gallerie
  • Mostre
  • Rivista
  • Da dove vengono i dati
  • Privacy e cookie
HomeMappaCatalogo
  1. Collezione/
  2. Museo del Louvre/
  3. L'Indifférent
L'Indifférent, Watteau, Jean-Antoine, 1e quart du XVIIIe siècle (1716)
Jean-Antoine Watteau, ritrattoJean-Antoine WatteauFrancia, 1684–1721

L'Indifférent

1e quart du XVIIIe siècle (1716) · Peintures

Sul dipinto

L'indifferente è un dipinto di Antoine Watteau, eseguito nel 1717 con la tecnica dell'olio su tela.

L'opera è stata messa in relazione con la novella L'indifferente di Marcel Proust.

Wikipedia · CC BY-SA

Scheda

1e quart du XVIIIe siècle (1716) · a 32 anni
16841721
Numero di inventario
MI 1122

Nel frattempo, nella vita di Jean-Antoine Watteau

Tutta la vita
  1. 1710s

    Meets Edme-François Gersaint

    At Sirois's house Watteau meets his son-in-law, the art dealer Edme-François Gersaint, who soon becomes a close friend.

  2. 1710s

    Tuberculosis sets in

    Watteau's fame grows steadily, yet he is as a rule dissatisfied with everything that comes from his brush; at the same time he develops a serious illness, tuberculosis.

  3. 1714

    Moves into the banker Crozat's mansion

    Through Sirois, Watteau finds a patron in the very wealthy banker and collector Pierre Crozat and, at his invitation, moves into Crozat's newly built Paris mansion. There he gains access to the celebrated collection and eagerly copies drawings by the great masters; next door lives the academician Charles de La Fosse, with whom he is on good terms.

  4. c. 1717

    Crozat recommends Watteau to Rosalba Carriera

    Watteau's fame spreads beyond Paris: the banker Crozat writes to the celebrated portraitist Rosalba Carriera in Venice that among Paris painters he knows no one but Watteau who could produce a work worthy of being shown to her. Crozat's patronage and lucrative commissions help to launch the painter's European reputation.

  5. 28 August 1717

    Elected to the Academy: a “fête galante”

    By 1717 Watteau's “gallant scenes” have had such wide success that an exception is made for his reception piece, “Pilgrimage to Cythera”: in the minutes the words “pilgrimage to Cythera” are struck out and replaced by “fête galante”. Watteau is elected a full member of the Academy; the ceremony is attended by the First Painter to the King, Antoine Coypel, by Claude Gillot and by the Regent, the Duke of Orléans.

Altre opere di Jean-Antoine Watteau

Tutte le opere

Nella stessa sala · Salle 918, Aile Sully, Niveau 2, Museo del Louvre

Pagina del museo
  • 1718

    Leaves Crozat's house

    Watteau's independent character does not let him stay long in such luxurious but constraining circumstances, and in 1718 he leaves the house of his patron, who does not lose interest in his art. “Gilles” was probably one of the last works painted in the large studio put at his disposal in Crozat's mansion.

  • Si può ammirare?

    Sì, riceve visite

    Museo del Louvre

    Parigi, Francia

    Sala918, Aile Sully, Niveau 2

    Esposta al pubblico. Chi lo garantisce è indicato qui sotto.

    Verificato
    13 giorni fa
    Ultimo cambio di stato
    26 set 2026
    Fonte
    Il museo
    Sulla mappaPagina del museo

    In catalogo

    DipintiOlioPittura franceseBaroccoXVIII secolo

    Fonti

    • Museo del Louvre
    • Immagine: Museo del Louvre — © 2010 GrandPalaisRmn (musée du Louvre) / Stéphane Maréchalle
    Mezzetin, Antoine Watteau, ca. 1718–20

    Mezzetin

    ca. 1718–20 · Metropolitan Museum of Art

    L'Automne, Watteau, Jean-Antoine, 1e quart du XVIIIe siècle (1700 - 1725)

    L'Automne

    1e quart du XVIIIe siècle (1700 - 1725) · Museo del Louvre

    La Finette, Watteau, Jean-Antoine, 1e quart du XVIIIe siècle (1700 - 1725)

    La Finette

    1e quart du XVIIIe siècle (1700 - 1725) · Museo del Louvre

    Actors of the Comedie-Francaise, Jean-Antoine Watteau, 1710s

    Actors of the Comedie-Francaise

    1710s · Ermitage

    Landscape, Jean-Antoine Watteau, 1710s

    Landscape

    1710s · Ermitage

    Diane au bain, Watteau, Jean-Antoine, 1e quart du XVIIIe siècle (vers 1715 - 1716)

    Diane au bain

    1e quart du XVIIIe siècle (vers 1715 - 1716) · Museo del Louvre

    Nymphe et satyre, dit parfois Jupiter et Antiope, Watteau, Jean-Antoine, 1e quart du XVIIIe siècle (vers 1715 - 1716)

    Nymphe et satyre, dit parfois Jupiter et Antiope

    1e quart du XVIIIe siècle (vers 1715 - 1716) · Museo del Louvre

    Savoyard with a Marmot, Jean-Antoine Watteau, 1716

    Savoyard with a Marmot

    1716 · Ermitage

    Le Peintre dans son atelier, Boucher, François, 2e quart du XVIIIe siècle (1725 - 1730)

    Francois Boucher

    Le Peintre dans son atelier, 2e quart du XVIIIe siècle (1725 - 1730)

    Le Jugement de Pâris, Watteau, Jean-Antoine, 1e quart du XVIIIe siècle (vers 1718 - 1721)

    Jean-Antoine Watteau

    Le Jugement de Pâris, 1e quart du XVIIIe siècle (vers 1718 - 1721)

    Assemblée dans un parc, Watteau, Jean-Antoine, 1e quart du XVIIIe siècle (vers 1716 - 1717)

    Jean-Antoine Watteau

    Assemblée dans un parc, 1e quart du XVIIIe siècle (vers 1716 - 1717)

    Paysage à la chèvre, Watteau, Jean-Antoine, 1e quart du XVIIIe siècle (vers 1716)

    Jean-Antoine Watteau

    Paysage à la chèvre, 1e quart du XVIIIe siècle (vers 1716)

    Le Faux-Pas, Watteau, Jean-Antoine, 1e quart du XVIIIe siècle (vers 1716 - 1718)

    Jean-Antoine Watteau

    Le Faux-Pas, 1e quart du XVIIIe siècle (vers 1716 - 1718)

    Les deux Cousines, Watteau, Jean-Antoine, 1e quart du XVIIIe siècle (vers 1716 - 1717)

    Jean-Antoine Watteau

    Les deux Cousines, 1e quart du XVIIIe siècle (vers 1716 - 1717)

    La Finette, Watteau, Jean-Antoine, 1e quart du XVIIIe siècle (1700 - 1725)

    Jean-Antoine Watteau

    La Finette, 1e quart du XVIIIe siècle (1700 - 1725)

    L'Automne, Watteau, Jean-Antoine, 1e quart du XVIIIe siècle (1700 - 1725)

    Jean-Antoine Watteau

    L'Automne, 1e quart du XVIIIe siècle (1700 - 1725)