Les deux Cousines, Watteau, Jean-Antoine, 1e quart du XVIIIe siècle (vers 1716 - 1717)
Jean-Antoine Watteau, ritrattoJean-Antoine WatteauFrancia, 1684–1721

Les deux Cousines

1e quart du XVIIIe siècle (vers 1716 - 1717) · Peintures

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Dove si trova «Les deux Cousines» oggi? Museo del Louvre, Salle 918, Aile Sully, Niveau 2, Parigi. Sì, esposta ora. Verificato 26 settembre 2026.

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Parigi, Francia

Sala918, Aile Sully, Niveau 2

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The Two Cousins is a 1716 oil-on-canvas painting by Antoine Watteau, now in the Louvre Museum, in Paris, which acquired it in 1990.

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Scheda

Numero di inventario
RF 1990 8

In catalogo

Fonti

  • Museo del Louvre
  • Immagine: Museo del Louvre — © 2010 GrandPalaisRmn (musée du Louvre) / Stéphane Maréchalle

Nella vita di Jean-Antoine Watteau

Tutta la vita
  1. 1710s

    Meets Edme-François Gersaint

    At Sirois's house Watteau meets his son-in-law, the art dealer Edme-François Gersaint, who soon becomes a close friend.

  2. 1710s

    Tuberculosis sets in

    Watteau's fame grows steadily, yet he is as a rule dissatisfied with everything that comes from his brush; at the same time he develops a serious illness, tuberculosis.

  3. 1714

    Moves into the banker Crozat's mansion

    Through Sirois, Watteau finds a patron in the very wealthy banker and collector Pierre Crozat and, at his invitation, moves into Crozat's newly built Paris mansion. There he gains access to the celebrated collection and eagerly copies drawings by the great masters; next door lives the academician Charles de La Fosse, with whom he is on good terms.

  4. c. 1717

    Crozat recommends Watteau to Rosalba Carriera

    Watteau's fame spreads beyond Paris: the banker Crozat writes to the celebrated portraitist Rosalba Carriera in Venice that among Paris painters he knows no one but Watteau who could produce a work worthy of being shown to her. Crozat's patronage and lucrative commissions help to launch the painter's European reputation.

  5. 28 August 1717

    Elected to the Academy: a “fête galante”

    By 1717 Watteau's “gallant scenes” have had such wide success that an exception is made for his reception piece, “Pilgrimage to Cythera”: in the minutes the words “pilgrimage to Cythera” are struck out and replaced by “fête galante”. Watteau is elected a full member of the Academy; the ceremony is attended by the First Painter to the King, Antoine Coypel, by Claude Gillot and by the Regent, the Duke of Orléans.

  6. late 1719 – summer 1720

    To London, to see Dr Richard Mead

    Watteau's health is failing, and he goes to England at the invitation of Philippe Mercier, an admirer and imitator, hoping to overcome tuberculosis with the help of the well-known physician Richard Mead. The treatment brings no noticeable result and the London climate only aggravates his condition; he returns to Paris in summer 1720, gravely ill.

Tutte le opere

Nella stessa sala · Salle 918, Aile Sully, Niveau 2, Museo del Louvre

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