Charles François DaubignyFrancia, 1817–1878Les péniches.
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- Fonte
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Scheda
- Numero di inventario
- RF 1362
In catalogo
Fonti
- Museo del Louvre
- Immagine: Museo del Louvre — © 1996 GrandPalaisRmn (musée du Louvre) / Jean-Gilles Berizzi
Nella vita di Charles François Daubigny
Tutta la vita1860s
His technique influences the future Impressionists
Daubigny's impasto in the lights, translucent glazes in the shadows and small separate strokes, which earned him both praise and harsh criticism, influenced the future Impressionists in the 1860s. Like them, he cared little for crisp contours and favoured a broad manner.
1864
Among the first exhibitors of the Société nationale des beaux-arts
In 1864 Daubigny was one of the first exhibitors at the salon of the Société nationale des beaux-arts.
1864–1874
A decade of his finest pictures: forests and lakes
Daubigny's best-known paintings date from 1864 to 1874 and depict mostly forests and lakes. He was disappointed that the works he considered his finest were not understood by his contemporaries, yet by the end of his life he remained a sought-after and esteemed artist.
1866
First seat on the Paris Salon jury
In 1866 Daubigny joined the jury of the Paris Salon for the first time, alongside his friend Camille Corot. Together with Courbet they relished the scandalous success of Courbet's “Woman with a Parrot”.
1866
Visits England
In 1866 Daubigny visited England; four years later he would return there to escape the Franco-Prussian War.
