L'albero dei corvi, Caspar David Friedrich, 1e quart du XIXe siècle (vers 1822)
Caspar David Friedrich, ritrattoCaspar David FriedrichGermania, 1774–1840

L'albero dei corvi

L'arbre aux corbeaux

1e quart du XIXe siècle (vers 1822) · Peintures

Si può ammirare?

Sì, riceve visite

Museo del Louvre

Parigi, Francia

Sala863, Aile Richelieu, Niveau 2

Esposta al pubblico.

Verificato
Ultimo cambio di stato
Fonte
Il museo

Sul dipinto

L'albero dei corvi (in tedesco: Krähenbaum) è un dipinto a olio del 1822 del pittore romantico Caspar David Friedrich. È attualmente conservato presso il Museo del Louvre, a Parigi.

WikipediaCC BY-SA

Scheda

Numero di inventario
RF 1975 20

In catalogo

Fonti

  • Museo del Louvre
  • Immagine: Museo del Louvre — © 2022 GrandPalaisRmn (musée du Louvre) / Franck Raux

Nel frattempo, nella vita di Caspar David Friedrich

Tutta la vita
  1. 1820

    Grand Duke Nikolai Pavlovich in his studio

    At the behest of his wife Alexandra Feodorovna, Grand Duke Nikolai Pavlovich visits Friedrich’s studio and returns to Saint Petersburg with a number of paintings, beginning a patronage that continues for many years.

  2. by 1820

    A recluse, “the most solitary of the solitary”

    By 1820 Friedrich is living as a recluse, described by friends as the most solitary of the solitary.

  3. 1820

    The birth of his daughter Emma

    The Friedrichs’ first child, a daughter named Emma, is born; they will have three children. The third, Gustav Adolf, is named after the Swedish king Gustavus Adolphus and becomes a notable painter in his own right.

  4. 1821

    Meets Zhukovsky

    In 1821 the Romantic poet Vasily Zhukovsky, an admirer of his work, visits Friedrich’s studio: he buys several paintings and keeps them all his life. The friendship that begins lasts until the artist’s death, and thanks to Zhukovsky Friedrich becomes popular in Russia — today Russian museums hold 17 of his paintings, 15 of them in the Hermitage.

  5. 23 dicembre 1824

    Son born: Adolf Friedrich

  6. 1824–1826

    Depression and darker motifs

    A new bout of depression — earlier ones came in 1799, 1803–1805, around 1813 and in 1816 — brings vultures, owls, graveyards and ruins into his work. From 1826 these motifs become a permanent feature of his output, and his colours grow darker and more muted.

Tutte le opere

Nella stessa sala · Salle 863, Aile Richelieu, Niveau 2, Museo del Louvre

Pagina del museo