ART WIKI32.963 in sala
MappaCollezioneArtistiMuseiMostreRivista
Accedi

ART WIKI

Dove è appeso il capolavoro, e quando si può entrare.

Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (6 musei), Paris Musées (12 musei) e Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei). Le immagini appartengono ai titolari dei diritti.

Sezioni

  • Mappa
  • Ricerca
  • Collezione
  • Capolavori
  • Esposte ora
  • Artisti

Altro

  • Musei e gallerie
  • Mostre
  • Rivista
  • Da dove vengono i dati
  • Privacy e cookie
HomeMappaCatalogo
  1. Collezione/
  2. Harvard Art Museums/
  3. Lake O'Hara
Lake O'Hara, John Singer Sargent, 1916
John Singer Sargent, ritrattoJohn Singer SargentStati Uniti, 1856–1925

Lake O'Hara

1916 · Painting

Sul dipinto

In this closely cropped view of the Canadian Rockies, John Singer Sargent explored the materiality of paint. With its rough, gestural brushwork, thick layers of pigment, and thin washes, Lake O’Hara exemplifies the artist’s late style. The painting verges on abstraction, and is in stark contrast to the work of earlier painters who freighted their images of the Rockies with symbolism.

Continua a leggere

Lake O’Hara occupies an important position in the history of the Fogg Museum. When it was acquired in 1916, the painting was the first work by a living artist to enter the museum’s collection. Edward W. Forbes, the Fogg’s director, arranged for the purchase of Lake O’Hara despite his uncertainty about the quality of contemporary painting: “In the past, the policy of the Fogg Museum has been to exhibit the work of men who are dead.” But “Mr. Sargent is usually considered to be the greatest living American painter, and one or two of the greatest if not the greatest of any nationality.”

Harvard Art Museums

Scheda

1916 · a 60 anni
18561925
Numero di inventario
1916.496

Nel frattempo, nella vita di John Singer Sargent

Tutta la vita
  1. 1895–1919

    The “Triumph of Religion” murals for the Boston Public Library

    From 1895 through 1919, for almost thirty years, Sargent works on his largest-scale work, the mural decorations “Triumph of Religion” for the Boston Public Library, showing religion's progress from pagan superstition to the ascension of Christianity; he never completes the final mural of the cycle.

  2. 1905–1914

    Summer journeys with the de Glehns

    Between 1905 and 1914 Sargent's frequent travelling companions are the married artist couple Wilfrid de Glehn and Jane Emmet de Glehn; the trio often spend summers in France, Spain or Italy, and all three depict one another in their paintings.

  3. 1916

    Sells “Madame X” to the Metropolitan Museum

    Sargent keeps “Madame X” prominently displayed in his London studio until he sells it in 1916 to the Metropolitan Museum of Art, after moving to the United States and a few months after Gautreau's death.

  4. 1916

    An honorary degree from Harvard University

    In 1916 Harvard University awards Sargent an honorary degree.

  5. 1918

    Commissioned as a war artist

    On his return to England in 1918 after a visit to the United States Sargent is commissioned as a war artist by the British Ministry of Information; he depicts scenes from the Great War in his large painting “Gassed” and in many watercolours.

Altre opere di John Singer Sargent

Tutte le opere

Nella stessa sala · Gallery 2700, floor 2, European and American Art, 19th century, Harvard Art Museums

Pagina del museo
  • Good Friday 1918

    His niece Rose-Marie killed in the shelling of Paris

    On Good Friday 1918 his niece Rose-Marie dies in the shelling of the church of St Gervais in Paris; Sargent is deeply affected by her death.

  • Si può ammirare?

    Sì, riceve visite

    Harvard Art Museums

    Cambridge, Stati Uniti

    Sala2700, floor 2, European and American Art, 19th century

    Esposta al pubblico. Chi lo garantisce è indicato qui sotto.

    Verificato
    3 giorni fa
    Ultimo cambio di stato
    27 set 2026
    Fonte
    Il museo
    Sulla mappaPagina del museo

    In catalogo

    DipintiOlioPittura italianaPittura americanaModernismoXX secoloStati Uniti

    Fonti

    • Harvard Art Museums
    • Immagine: Harvard Art Museums — © President and Fellows of Harvard College
    Madame X (Virginie Amélie Avegno Gautreau), John Singer Sargent, 1883–84

    Ritratto di Madame X

    1883–84 · Metropolitan Museum of Art

    A Male Model Standing before a Stove, John Singer Sargent, ca. 1875–80

    A Male Model Standing before a Stove

    ca. 1875–80 · Metropolitan Museum of Art

    Spanish Roma Woman, John Singer Sargent, ca. 1876-1882

    Spanish Roma Woman

    ca. 1876-1882 · Metropolitan Museum of Art

    En route pour la pêche (Setting Out to Fish), John Singer Sargent, 1878

    En route pour la pêche (Setting Out to Fish)

    1878 · National Gallery of Art

    Miss Beatrice Townsend, John Singer Sargent, 1882

    Miss Beatrice Townsend

    1882 · National Gallery of Art

    Street in Venice, John Singer Sargent, 1882

    Street in Venice

    1882 · National Gallery of Art

    Lady with the Rose (Charlotte Louise Burckhardt), John Singer Sargent, 1882

    Lady with the Rose (Charlotte Louise Burckhardt)

    1882 · Metropolitan Museum of Art

    Margaret Stuyvesant Rutherfurd White (Mrs. Henry White), John Singer Sargent, 1883

    Margaret Stuyvesant Rutherfurd White (Mrs. Henry White)

    1883 · National Gallery of Art

    The Cottage at Rousseau, Auguste-Louis Lepère, 1915

    Auguste Lepère

    The Cottage at Rousseau, 1915

    Twisted Trees, Auguste-Louis Lepère, 1914

    Auguste Lepère

    Twisted Trees, 1914

    La route de la Houssoye, Auguste-Louis Lepère, 1913

    Auguste Lepère

    La route de la Houssoye, 1913

    Screen of Poplars, Auguste-Louis Lepère, 1911

    Auguste Lepère

    Screen of Poplars, 1911

    Port of Tangier (Entrance to the Customs House), Henry Ossawa Tanner, c. 1910, reworked until 1923-24

    Henry Ossawa Tanner

    Port of Tangier (Entrance to the Customs House), c. 1910, reworked until 1923-24

    Sky; Marine, Auguste-Louis Lepère, 1910

    Auguste Lepère

    Sky; Marine, 1910

    Sunset Behind the Trees, Auguste-Louis Lepère, 1908

    Auguste Lepère

    Sunset Behind the Trees, 1908

    Charing Cross Bridge:  Fog on the Thames, Claude Monet, 1903

    Claude Monet

    Charing Cross Bridge: Fog on the Thames, 1903