ART WIKI
Kundmanngasse (Shovels), Arthur Ou, 2012, printed 2019
Arthur OuTaiwan, 1974

Kundmanngasse (Shovels)

2012, printed 2019 · Photograph

Si può vedere?

Non esposta al momento

Dove si trova «Kundmanngasse (Shovels)» oggi? Collezione: Art Institute of Chicago, Chicago. Non esposta al momento. Verificato 29 settembre 2026.

Art Institute of Chicago

Chicago, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
Ultimo cambio di stato
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

Numero di inventario
2021.586.1

In catalogo

FotografieStampa ai sali d’argentoArte contemporaneaXXI secolo

Fonti

Altre opere di Arthur Ou

Tutte le opere
Joachim Schmid Reading 6.51: Skepticism Is Not Irrefutable, but Obviously Nonsensical, When It Tries to Raise Doubts Where No Questions Can Be Asked. For Doubt Can Exist Only Where a Question Exists, a Question Only Where an Answer Exists, and an Answer Only Where Something Can Be Said, Arthur Ou, 2014, printed 2019

Joachim Schmid Reading 6.51: Skepticism Is Not Irrefutable, but Obviously Nonsensical, When It Tries to Raise Doubts Where No Questions Can Be Asked. For Doubt Can Exist Only Where a Question Exists, a Question Only Where an Answer Exists, and an Answer Only Where Something Can Be Said

2014, printed 2019 · Non esposta · Art Institute of Chicago

Annette Kelm Reading 3.001: 'A State of Affairs Is Thinkable': What This Means Is That We Can Picture It to Ourselves, Arthur Ou, 2014, printed 2019

Annette Kelm Reading 3.001: 'A State of Affairs Is Thinkable': What This Means Is That We Can Picture It to Ourselves

2014, printed 2019 · Non esposta · Art Institute of Chicago

Shannon Ebner Reading 6.36311: It Is an Hypothesis That the Sun Will Rise Tomorrow: and This Means That We Do not Know Whether It Will Rise, Arthur Ou, 2014, printed 2019

Shannon Ebner Reading 6.36311: It Is an Hypothesis That the Sun Will Rise Tomorrow: and This Means That We Do not Know Whether It Will Rise

2014, printed 2019 · Non esposta · Art Institute of Chicago

Michael Queenland Reading 3.01: The Totality of True Thoughts Is a Picture of the World, Arthur Ou, 2014, printed 2019

Michael Queenland Reading 3.01: The Totality of True Thoughts Is a Picture of the World

2014, printed 2019 · Non esposta · Art Institute of Chicago

Susanne Kriemann Reading 5.5423: To Perceive a Complex Means to Perceive That Its Constituents Are Related to One Another in Such and Such Way. This No Doubt Also Explains Why There Are Two Possible Ways of Seeing the Figure as a Cube; and All Similar Phenomena. For We Really See Two Different Facts. (If I Look in the First Place at the Corners Marked A and Only Glance at the B's, Then the A's Appear to be in Front, and Vice Versa), Arthur Ou, 2015, printed 2019

Susanne Kriemann Reading 5.5423: To Perceive a Complex Means to Perceive That Its Constituents Are Related to One Another in Such and Such Way. This No Doubt Also Explains Why There Are Two Possible Ways of Seeing the Figure as a Cube; and All Similar Phenomena. For We Really See Two Different Facts. (If I Look in the First Place at the Corners Marked A and Only Glance at the B's, Then the A's Appear to be in Front, and Vice Versa)

2015, printed 2019 · Non esposta · Art Institute of Chicago

Noritoshi Hirakawa Reading 6.373: The World Is Independent of My Will, Arthur Ou, 2015, printed 2019

Noritoshi Hirakawa Reading 6.373: The World Is Independent of My Will

2015, printed 2019 · Non esposta · Art Institute of Chicago

Luisa Lambri Reading 5.63: I Am My World. (The Microcosm), Arthur Ou, 2015, printed 2019

Luisa Lambri Reading 5.63: I Am My World. (The Microcosm)

2015, printed 2019 · Non esposta · Art Institute of Chicago

Phil Chang Reading 5.632: The Subject Does Not belong to the World: Rather, It Is a Limit of the World, Arthur Ou, 2015, printed 2019

Phil Chang Reading 5.632: The Subject Does Not belong to the World: Rather, It Is a Limit of the World

2015, printed 2019 · Non esposta · Art Institute of Chicago

Anche in sala: Art Institute of Chicago

Pagina del museo
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Una domenica pomeriggio sull'isola della Grande-Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Strada di Parigi in un giorno di pioggia, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Sulla terrazza, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

il cesto di mele, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

I nottambuli, 1942