Viktor Vasnetsov1848–1926Картинная лавочка
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Жанровая живопись Васнецова 1870-х годов отражала непосредственный и пристальный взгляд художника на события повседневной жизни. Молодой живописец с азартом работал над подготовительными материалами к новым картинам, погружаясь в перипетии и будни «маленького человека». Небольшие эскизы, такие как « Поймали воришку » (ГТГ), « Картинная лавочка », « Возвращение домой » (ГРМ), были похожи на документальные живописные «зарисовки». Современники отмечали достоверность приглушенного колорита и удачную компоновку мизансцен. Васнецов утверждал, что жанрист обязан « изучать формы и краски в природе действительные и живые, а не выдуманные » * . С. В. Кривонденченков. «В своем истинно национальном отразить вечное». Эволюция реалистической тенденции в творчестве В. М. Васнецова // Виктор Васнецов. СПб, 2024. С. 7.
Leggi
* В. М. Васнецов — В. В. Стасову, 3 октября 1902 // Виктор Михайлович Васнецов: Письма. Дневники. Воспоминания. Суждения современников / Сост., вступ. ст. и примеч. Н. А. Ярославцевой. М., 1987. С. 190.
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- Ж-4217
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- Immagine: Museo russo — © State Russian Museum
Nella vita di Viktor Vasnetsov
Tutta la vita1868–1876
Friendship with Repin and the “evenings” at Antokolsky’s
In St Petersburg he grew very close to Ilya Repin; he attended the “evenings” at the apartment of Repin and the sculptor Mark Antokolsky, where the student Ivan Savenkov read bylinas in a slow chant, in the northern accent so familiar to Vasnetsov — and so his interest in early Russian culture and folk epic finally took shape.
1873–1875
He leaves the Academy before graduating
In 1873, a year before the end of the course, he almost stopped attending the Academy and went only to Chistyakov’s studio: Chistyakov told him he had already got from the Academy all it could give, and Kramskoi advised the same; on 4 (16) February 1875 he was formally discharged, receiving a certificate that listed two small silver medals and one large one.
1874
“Tea-drinking in a Tavern” with the Peredvizhniki
In 1874 he took part for the first time in an exhibition of the Peredvizhniki, showing “Tea-drinking in a Tavern” (“Over Tea”).
1876
A trip to Paris: Polenov, Repin and an advance
He dreamed of going abroad but had no money; Polenov offered help, Repin invited him to the Peredvizhniki colony in Paris, and, taking an advance from a publisher, Vasnetsov left in 1876 and settled with the Kramskois; his younger brother Apollinary, who disliked living at his elder brother’s expense, decided to go back to Vyatka.
1876–1877
Mamontov’s letter, homesickness and the first sketch for the “Bogatyrs”
In Polenov’s Paris studio he and Repin re-read a letter from Savva Mamontov calling the artists to Moscow; the letter sharpened his homesickness (“Alone, alone and alone!”), and it was there that the first painted sketch of the “Bogatyrs” was made.
1877
Wedding to Alexandra Ryazantseva
Before leaving for Paris he had proposed to Ryazantseva; the wedding took place in November 1877 in the Church of Saints Peter and Paul of the Semyonovsky-Alexandrovsky military hospital in St Petersburg.
