Judith, Parmigianino, early 16th century
Parmigianino, ritrattoParmigianinoItalia, 1503–1540

Judith

early 16th century · Print

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Dove si trova «Judith» oggi? Collezione: Metropolitan Museum of Art, New York. Non esposta al momento. Verificato 11 novembre 2026.

Metropolitan Museum of Art

New York, Stati Uniti

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17.3.1850

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Nella vita di Parmigianino

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  1. 11 gennaio 1503

    Born

  2. 1505

    Father dies of plague; his uncles raise the boy

    According to Vasari, Filippo Mazzola died in 1505 during a plague epidemic. Two-year-old Francesco was taken in by his uncles, the painters Pier Ilario and Michele, who introduced him to drawing and painting.

  3. 1521

    Sent to Viadana to escape the war

    To keep him safe from the war between the French, Imperial and papal armies, Francesco was sent to Viadana together with the painter Girolamo Bedoli, who would later marry his cousin. There he painted two tempera panels: “Saint Francis” for the church of the Frati de' Zoccoli and “The Mystical Marriage of Saint Catherine” for San Pietro.

  4. summer 1524

    Travels to Rome with his uncles

    According to Vasari, on hearing Raphael and Michelangelo praised, Francesco longed to see Rome; his uncles approved and advised him to take some of his works to open doors to the lords and artists there. They arrived in Rome in the summer of 1524, and Parmigianino presented several paintings to Pope Clement VII, among them the “Self-Portrait in a Convex Mirror” painted on a wooden hemisphere.

  5. 1527

    The Sack of Rome finds him at work

    During the Sack of Rome by the landsknechts of Emperor Charles V, soldiers burst into the studio where Parmigianino was painting “The Vision of Saint Jerome” but harmed neither the pictures nor the artist. Soon, however, he had to abandon his lodgings and Rome, and he left the altarpiece with the church of Santa Maria della Pace.

  6. 1531

    Commissioned to decorate Santa Maria della Steccata

    In May 1531 Parmigianino was commissioned to fresco the church of Santa Maria della Steccata in praise of the Virgin, with the Coronation as the main scene, and undertook to finish within eighteen months; the work stalled again and again over irregular supplies and the church administration's dislike of his unusual design. Other accounts say the commission was for two altarpieces, of Saint Joseph and Saint John the Baptist. The confraternity advanced him a salary.

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