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  1. Collezione/
  2. Herzog Anton Ulrich-Museum/
  3. Herkules (Ercules)
Herkules (Ercules), Albrecht Dürer, 1496–1498
Albrecht Dürer, ritrattoAlbrecht DürerGermania, 1471–1528

Herkules (Ercules)

1496–1498 · Print

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Herzog Anton Ulrich-Museum

Braunschweig, Germania

Il proprietario è noto; non si sa se oggi sia esposta.

Ultimo cambio di stato
27 set 2026
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

1496–1498
14711528

Nel frattempo, nella vita di Albrecht Dürer

Tutta la vita
  1. c. 1492 – 1494

    Basel: woodcuts for the printers

    In Basel, a centre of printing, Dürer stayed with Georg Schongauer. A woodblock for the title page of the Letters of St Jerome (1492), signed with his name on the back, led to the works of the “Master of the Bergmann Press” being attributed to him; he may also have worked on the woodcuts for Sebastian Brant's Ship of Fools.

  2. July 1494

    Marries Agnes Frey

    Soon after returning to Nuremberg the 23-year-old Dürer married Agnes Frey, daughter of a prominent brass worker and amateur harpist; the match had been arranged in his absence, and marriage was required to open a workshop of his own. They had no children, and his letters suggest the marriage was not a happy one.

  3. 7 luglio 1494

    Married: Agnes Dürer

  4. 1494–1495

    First journey to Italy

    Within three months of the wedding Dürer left alone for Italy, perhaps fleeing an outbreak of plague in Nuremberg. Crossing the Alps he made watercolour landscapes; in Venice he studied its art and judged Giovanni Bellini the best of its painters; Mantegna and Pollaiuolo left their mark on him.

  5. 1495

    Opens his own workshop

    Dürer opened his own workshop in Nuremberg, where over the next ten years he created much of his printmaking. His godfather, the publisher Anton Koberger, helped issue the first series; the city's crafts were governed by the Council rather than guilds, leaving him free to try new techniques and sell his own impressions.

Altre opere di Albrecht Dürer

Tutte le opere

Dalla collezione: Herzog Anton Ulrich-Museum

Pagina del museo

Sullo stesso tema · Cacus

Tutte le opere sul tema
  • 1500

    Jacopo de' Barbari and the secret of proportion

    The Venetian Jacopo de' Barbari, whom Dürer had met in Venice, came to Nuremberg, and Dürer said he learned much from him about perspective, anatomy and proportion. Feeling that de' Barbari would not explain everything he knew, Dürer began studies of his own that became a lifelong preoccupation.

  • Che cosa raffigura

    CacusHerkulesKampfDer Kampf des Hercules mit den Molioniden, siamesischen ZwillingenOsnabrück 2003, Kulturgeschichtliches Museum: Albrecht Dürer: Das große Glück (Ausstellung)

    In catalogo

    StampeRinascimentoXV secolo

    Fonti

    • Herzog Anton Ulrich-Museum
    • Immagine: Herzog Anton Ulrich-Museum — CC BY-NC-SA 4.0
    Virgin and Child with Saint Anne, Albrecht Dürer, probably 1519

    Virgin and Child with Saint Anne

    probably 1519 · Metropolitan Museum of Art

    Female Nude Seen from Behind, Albrecht Dürer, early 17th century

    Female Nude Seen from Behind

    early 17th century · Metropolitan Museum of Art

    Madonna and Child [obverse], Albrecht Dürer, c. 1496/1499

    Madonna Haller

    c. 1496/1499 · National Gallery of Art

    Lot and His Daughters [reverse], Albrecht Dürer, c. 1496/1499

    Lot and His Daughters [reverse]

    c. 1496/1499 · National Gallery of Art

    The Martyrdom of Saint Catherine, Albrecht Dürer, ca. 1498

    The Martyrdom of Saint Catherine

    ca. 1498 · Metropolitan Museum of Art

    Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

    Nemesis (The Great Fortune)

    c. 1501/1502 · Cleveland Museum of Art

    Large Horse, Albrecht Dürer, 1505

    Large Horse

    1505 · Cleveland Museum of Art

    The Lamentation, Albrecht Dürer, 1507

    The Lamentation

    1507 · Cleveland Museum of Art

    Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, Caravaggio, 1704–1755

    Caravaggio

    Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, 1704–1755

    Ecce Homo, Caravaggio, 1674–1684

    Caravaggio

    Ecce Homo, 1674–1684

    Heiliger Hieronymus, Caravaggio

    Caravaggio

    Heiliger Hieronymus

    Bildnis eines Mannes, Rembrandt, 1839–1850

    Rembrandt van Rijn

    Bildnis eines Mannes, 1839–1850

    Bildnis einer Frau, Rembrandt, 1839–1850

    Rembrandt van Rijn

    Bildnis einer Frau, 1839–1850

    Tobias und seine Frau, Rembrandt, 1773

    Rembrandt van Rijn

    Tobias und seine Frau, 1773

    Tobias und seine Frau, Rembrandt, 1773

    Rembrandt van Rijn

    Tobias und seine Frau, 1773

    Lot mit seinen Töchtern, Rembrandt, 1771

    Rembrandt van Rijn

    Lot mit seinen Töchtern, 1771

    Hercules Killing Cacus, Hendrik Goltzius, 1588

    Hendrick Goltzius

    Hercules Killing Cacus, 1588

    Non esposta · National Gallery of Art

    Hercules Killing Cacus, Hendrik Goltzius, 1588

    Hendrick Goltzius

    Hercules Killing Cacus, 1588

    Non esposta · National Gallery of Art

    Hercules Killing Cacus, Dirck Volckertz Coornhert, 1554

    Hieronymus Cock

    Hercules Killing Cacus, 1554

    Non esposta · National Gallery of Art

    Hercules Killing Cacus, Dirck Volckertz Coornhert, 1554

    Hieronymus Cock

    Hercules Killing Cacus, 1554

    Non esposta · National Gallery of Art

    Hercules Killing Cacus, Heinrich Aldegrever, 1550

    Heinrich Aldegrever

    Hercules Killing Cacus, 1550

    Non esposta · National Gallery of Art

    Herkules tötet Cacus, Heinrich Aldegrever, 1550

    Heinrich Aldegrever

    Herkules tötet Cacus, 1550

    Herzog Anton Ulrich-Museum

    Hercules and Cacus, Caradosso Foppa

    Attributed to Caradosso Foppa

    Hercules and Cacus

    National Gallery of Art

    Cacus Stealing the Oxen of Hercules, Moderno

    Moderno

    Cacus Stealing the Oxen of Hercules

    National Gallery of Art