Large Horse, Albrecht Dürer, 1505
Albrecht Dürer, ritrattoAlbrecht DürerGermania, 1471–1528

Large Horse

1505 · Print

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National Gallery of Art

Washington, Stati Uniti

Sala101B Prints & Drawings

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Fonte
Il museo

Scheda

Numero di inventario
1943.3.3561

Che cosa raffigura

In catalogo

Andirivieni

  1. Esposta · 101B Prints & Drawings

    National Gallery of Art · 29 set 2026 — oggi · Verificato

  2. Era esposta · 101B Prints & Drawings

    Cleveland Museum of Art · 29 set 2026 — 29 set 2026 · Verificato

  3. Era esposta · 101B Prints & Drawings

    National Gallery of Art · 29 set 2026 — 29 set 2026 · Verificato

  4. Era esposta · 101B Prints & Drawings

    Cleveland Museum of Art · 28 set 2026 — 29 set 2026 · Verificato

  5. Era esposta · 101B Prints & Drawings

    National Gallery of Art · 28 set 2026 — 28 set 2026 · Verificato

  6. Era esposta · 101B Prints & Drawings

    Cleveland Museum of Art · 27 set 2026 — 28 set 2026 · Verificato

  7. Era esposta · 101B Prints & Drawings

    National Gallery of Art · 26 set 2026 — 27 set 2026 · Verificato

  8. Era esposta · 101B Prints & Drawings

    Cleveland Museum of Art · 19 ago 2026 — 26 set 2026 · Verificato

Fonti

Nel frattempo, nella vita di Albrecht Dürer

Tutta la vita
  1. 1504 · Luogo di lavoro

    Lutherstadt Wittenberg

  2. 1505

    Second journey to Italy

    Dürer set off for Italy again — perhaps not only to earn money but also to stop Marcantonio Raimondi from copying his prints. His stay in Venice is known from ten surviving letters to Pirckheimer.

  3. 1505–1507

    To Bologna for the secrets of perspective

    Dürer travelled to the university city of Bologna, hoping to learn the secrets of geometric perspective from its scholars. He then meant to visit Mantegna in Padua but received news of his death, which he greatly regretted afterwards.

  4. 1505–1507

    Friendship with Giovanni Bellini

    Dürer considered Giovanni Bellini “the best in painting”, the only Venetian master with whom he became friends. The Madonna of the Siskin may have been painted at Bellini's request.

  5. 1505–1507 · Luogo di lavoro

    Venice

  6. 1507–1528 · Luogo di lavoro

    Nuremberg

Tutte le opere

Nella stessa sala · 101B Prints & Drawings, National Gallery of Art

Pagina del museo

Sullo stesso tema · Equus ferus caballus

Tutte le opere sul tema