Half-Length Female Nude, Pablo Picasso, autumn 1906
Pablo Picasso, ritrattoPablo PicassoSpagna, 1881–1973

Half-Length Female Nude

autumn 1906 · Painting

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Art Institute of Chicago

Chicago, Stati Uniti

Sala391

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From 1904 through 1906, Pablo Picasso moved away from the melancholic subjects of his Blue Period to the more optimistic themes of his Rose Period. In the summer of 1906, the artist traveled to the Catalan village of Gósol; upon his return to Paris that autumn, he painted Half-Length Female Nude. In stark contrast to the gaunt visage of The Old Guitarist, the angular, masklike qualities of the figure’s face reveal Picasso’s growing interest in ancient Iberian sculpture and non-Western art. In this way, the work anticipates his breakthrough to Cubism in 1907.

Art Institute of ChicagoCC BY 4.0

Scheda

Numero di inventario
1959.619

Che cosa raffigura

In catalogo

Fonti

Nel frattempo, nella vita di Pablo Picasso

Tutta la vita
  1. 1895–1904 · Luogo di lavoro

    Barcelona

  2. 1901–1904

    The Blue Period

    The Blue Period began — somber paintings in blue-green tones with themes of poverty and sorrow; Picasso divided his time between Barcelona and Paris.

  3. 1904

    Move to Paris, Beginning of the Rose Period

    Picasso settled in the Bateau-Lavoir residence in Montmartre; the sorrow of the Blue Period gave way to images of the theater and the circus — the Rose Period began.

  4. 1905

    Meeting the Steins and Matisse

    Picasso became a favorite of the collectors Leo and Gertrude Stein; at one of Gertrude Stein's gatherings in 1905 he met Henri Matisse — a lifelong friend and rival.

  5. 1907

    Meeting Georges Braque

    Picasso met Georges Braque; together they became the founders of Cubism, a movement that rejected the traditions of naturalism.

  6. 1907

    Visit to the Ethnographic Museum

    At the Ethnographic Museum in Paris Picasso was struck by the masks of the peoples of Africa, Oceania, and Polynesia — an experience that influenced the formation of Cubism.

Tutte le opere

Nella stessa sala · Gallery 391, Art Institute of Chicago

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