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  1. Collezione/
  2. Great Egret
Great Egret, John James Audubon, 1800-1850
John James Audubon, ritrattoJohn James AudubonStati Uniti, 1785–1851

Great Egret

1800-1850 · Print · 60 x 36 in

Si può ammirare?

No: è stata rubata ed è ricercata

Listed in the FBI's National Stolen Art File under no. 01095.

Verificato
9 giorni fa· Segnalato
Ultimo cambio di stato
30 set 2026
Fonte
Un registro delle opere rubate

Scheda

1800-1850
17851851

In catalogo

StampeNeoclassicismoRomanticismoXIX secolo

Fonti

  • L’archivio delle opere rubate dell’FBI
  • Immagine: FBI National Stolen Art File

Nel frattempo, nella vita di John James Audubon

Tutta la vita
  1. summer 1803

    Sent to America to escape conscription

    In the summer of 1803 his father sent the 18-year-old Audubon to America so that he would avoid conscription into Napoleon's army; on setting out, Jean-Jacques changed his name to John James. On arrival he caught yellow fever, was nursed back to health by Quaker women who ran a boarding house, and learned from them a Quaker English whose accent stayed with him for life.

  2. January 1804

    Meets Lucy Bakewell

    In January 1804 Audubon got to know the family of the Englishman William Bakewell, who had bought the neighbouring estate of Fatland Ford, and began courting his 17-year-old eldest daughter Lucy, well read and educated, fond of music and swimming. Her father thought her too young for a courtship; in the summer of 1804 Audubon asked for her hand.

  3. 1819

    The Panic of 1819: bankruptcy and prison

    In the Panic of 1819 Audubon lost all his shops and sold Nicholas Berthoud almost everything of value: his share in the sawmill, the house with its furniture, books, musical instruments, animals and the remaining slaves. It was not enough to pay his debts; he was declared bankrupt and sent to prison, and on his release he walked from Henderson to Louisville and, by his own account, for the only time in his life saw the wild turkeys and the lesser birds as enemies.

  4. 12 October 1820

    Sets out to paint all the birds of North America

    On 12 October 1820 Audubon set off south with his gun, paintbox and assistant Joseph Mason, who from October 1820 to August 1822 painted the plant backgrounds of his bird studies; the Swiss landscape painter George Lehman travelled with him as well. Audubon was committed to finding and painting all the birds of North America for eventual publication, which he called “The Birds of America”, and tried to paint one page a day.

  5. May – 21 July 1826

    Across the ocean with a portfolio of drawings: Liverpool

    Audubon left the United States in May 1826 and arrived in Liverpool on 21 July, going straight with a letter of introduction to the wealthy Richard Rathbone and getting to know his whole family. The exhibition of his work at the Royal Institution lasted a month, and after William Roscoe's urging the free first week gave way to paid admission: Audubon earned £100 and sold several oil copies of his drawings.

  6. 27 gennaio 1851

    Died

Altre opere di John James Audubon

Tutte le opere
Peregrine Falcons (Duck Hawks), John James Audubon, c. 1827

Peregrine Falcons (Duck Hawks)

c. 1827 · Cleveland Museum of Art

Prairie Titlark, Robert Havell, Jr. after John James Audubon

Prairie Titlark

Non esposta · National Gallery of Art

Blue Yellow Back Warbler, John James Audubon, 1812

Blue Yellow Back Warbler

1812 · Non esposta · National Gallery of Art

Hermit Thrush, John James Audubon, 1820

Hermit Thrush

1820 · Non esposta · National Gallery of Art

Prairie Warbler, Robert Havell after John James Audubon, 1827

Prairie Warbler

1827 · Non esposta · National Gallery of Art

Song Sparrow, Robert Havell after John James Audubon, 1827

Song Sparrow

1827 · Non esposta · National Gallery of Art

Snow-Bird, Robert Havell after John James Audubon, 1827

Snow-Bird

1827 · Non esposta · National Gallery of Art

Great American Cock, William Home Lizars after John James Audubon, 1827

Great American Cock

1827 · Non esposta · National Gallery of Art