ART WIKI
General Custer Presenting Captured Battle Flags, Alfred R. Waud, 1864
Alfred R. Waud, ritrattoAlfred R. WaudStati Uniti, 1828–1891

General Custer Presenting Captured Battle Flags

1864 · Print

Si può vedere?

Non si sa

Dove si trova «General Custer Presenting Captured Battle Flags» oggi? Collezione: National Portrait Gallery, Washington. Non si sa.

National Portrait Gallery

Washington, Stati Uniti

Il proprietario è noto; non si sa se oggi sia esposta.

Ultimo cambio di stato
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

Numero di inventario
S/NPG.79.60

Che cosa raffigura

SoldiersAmerican Civil War (1861-1865)MustachesOuterwearGoateeRitrattoFacial HairFlag

In catalogo

StampeXilografiaRealismoImpressionismoXIX secolo

Fonti

Altre opere di Alfred R. Waud

Tutte le opere
Dalles of the St. Louis, Alfred R. Waud

Dalles of the St. Louis

Non esposta · National Gallery of Art

The Dalles of St. Louis, Alfred R. Waud

The Dalles of St. Louis

Non esposta · National Gallery of Art

Dalles of St. Louis, Alfred R. Waud, early 1880s

Dalles of St. Louis

early 1880s · Non esposta · National Gallery of Art

Railroad on the Dalles of the St. Louis, Alfred R. Waud, 1882

Railroad on the Dalles of the St. Louis

1882 · Non esposta · National Gallery of Art

Mount of Temptation and Nazareth, Alfred R. Waud, n.d.a.

Mount of Temptation and Nazareth

n.d.a. · National Portrait Gallery

View from Maryland Heights, from Harper's History of the Great Rebellion, Alfred Rudolph Waud, 1862

View from Maryland Heights, from Harper's History of the Great Rebellion

1862 · Smithsonian American Art Museum

Signal Station, Summit of Maryland Heights, from Harper's History of the Great Rebellion, Alfred Rudolph Waud, 1862

Signal Station, Summit of Maryland Heights, from Harper's History of the Great Rebellion

1862 · Smithsonian American Art Museum

Reminiscences of the Maryland Campaign, from Harper's Weekly, August 16, 1863, Alfred Rudolph Waud, 1863

Reminiscences of the Maryland Campaign, from Harper's Weekly, August 16, 1863

1863 · Smithsonian American Art Museum

Anche in sala: National Portrait Gallery

Pagina del museo
Robert F. Kennedy, Gardner Cox, 1968

Gardner Cox

Robert F. Kennedy, 1968

Babe Ruth, Paolo Garretto, 1929

Paolo Garretto

Babe Ruth, 1929

Alice Dunbar Nelson, Laura Wheeler Waring, 1927

Laura Wheeler Waring

Alice Dunbar Nelson, 1927

Pauline Morton Sabin, Philip Alexius de László, 1926

Philip Alexius de László

Pauline Morton Sabin, 1926

Adolph Ochs, Philip Alexius de László, 1926

Philip Alexius de László

Adolph Ochs, 1926

Samuel Gompers, Moses Wainer Dykaar, 1924

Moses Wainer Dykaar

Samuel Gompers, 1924

Alexander Graham Bell, Moses Wainer Dykaar, 1922

Moses Wainer Dykaar

Alexander Graham Bell, 1922

Lillian D. Wald, William Valentine Schevill, 1919

William Valentine Schevill

Lillian D. Wald, 1919

Sullo stesso tema · Soldiers

Tutte le opere sul tema
Washington Crossing the Delaware, Emanuel Leutze, 1851

Emanuel Gottlieb Leutze

Washington attraversa il fiume Delaware, 1851

Metropolitan Museum of Art

The Denial of Saint Peter, Caravaggio, 1610

Caravaggio

Negazione di san Pietro, 1610

Metropolitan Museum of Art

Ecce Homo, Caravaggio, 1674–1684

Caravaggio

Ecce Homo, 1674–1684

Herzog Anton Ulrich-Museum

Christ before Pilate: Large Plate, Rembrandt van Rijn, 1636

Rembrandt van Rijn

Christ before Pilate: Large Plate, 1636

Non esposta · National Gallery of Art

[Das Reitergefecht; The Cavalry Fight; Sujet de bataille], Rembrandt, 1629

Rembrandt van Rijn

[Das Reitergefecht; The Cavalry Fight; Sujet de bataille], 1629

Herzog Anton Ulrich-Museum

[Die drei Kreuze; Christus am Kreuz zwischen den Schächern; Christ Crucified Between the Two Thieves (The 'Three Crosses'); Les trois Croix], Rembrandt, 1653

Rembrandt van Rijn

[Die drei Kreuze; Christus am Kreuz zwischen den Schächern; Christ Crucified Between the Two Thieves (The 'Three Crosses'); Les trois Croix], 1653

Herzog Anton Ulrich-Museum

Disparate de miedo (Folly of Fear), Francisco Goya, in or after 1816

Francisco de Goya

Disparate de miedo (Folly of Fear), in or after 1816

Non esposta · National Gallery of Art

Sketch of a Swordsman Standing Over His Defeated Opponent [recto], William Blake, c. 1780/1785

William Blake

Sketch of a Swordsman Standing Over His Defeated Opponent [recto], c. 1780/1785

Non esposta · National Gallery of Art