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  3. Fitz John Porter
Fitz John Porter, Mathew B. Brady, c. 1861

Fitz John Porter

c. 1861 · Photograph

Scheda

c. 1861
18231896
Numero di inventario
NPG.83.284.26

Nel frattempo, nella vita di Mathew B. Brady

Tutta la vita
  1. 1850s

    His eyesight begins to fail

    In the 1850s Brady’s eyesight begins to deteriorate; this may in part explain why he later rarely visited the battlefields himself and why many images in his collection are thought to be the work of his assistants.

  2. 1861

    Lincoln permits him to photograph the war

    Taken with the idea of documenting the war itself, Brady first asks his old friend General Winfield Scott, and then President Lincoln, for permission to send his photographers to the battle sites; Lincoln agrees in 1861 on condition that Brady finances the project himself. Despite the dangers, the financial risk and his friends’ discouragement, he said he simply had to go.

  3. 1861

    Under fire at Bull Run

    His first popular photographs of the conflict are taken at the First Battle of Bull Run, where he gets so close to the action that he barely avoids capture; later he comes under direct fire at Petersburg and Fredericksburg.

  4. 1861

    Hires photographers with travelling darkrooms

    He employs Alexander Gardner, James Gardner, Timothy H. O’Sullivan, William Pywell, George N. Barnard, Thomas C. Roche and seventeen other men, giving each a travelling darkroom. Brady himself generally resides in Washington, organizing his assistants and rarely visiting the battlefields, so many images in his collection are the work of his assistants.

  5. 1861

    Offers parents portraits of departing soldiers

Altre opere di Mathew B. Brady

Tutte le opere

Sotto lo stesso tetto: National Portrait Gallery

Pagina del museo

Sullo stesso tema · Mustaches

Tutte le opere sul tema

When the Civil War begins, sales of cartes de visite to departing soldiers rise briskly; in the New-York Daily Tribune Brady runs an advertisement warning parents that it may soon be too late to capture their sons’ likenesses.

  • October 1862

    Exhibition “The Dead of Antietam”

    He opens, in his New York gallery, an exhibition of photographs of the Battle of Antietam; many of the images show corpses, a presentation new to America — the first time many Americans saw the realities of war in photographs rather than in artists’ impressions.

  • Mathew B. Brady, ritrattoMathew B. BradyStati Uniti, 1823–1896

    Si può ammirare?

    Non si sa

    NPG
    National Portrait Gallery

    Washington, Stati Uniti

    Il proprietario è noto; non si sa se oggi sia esposta.

    Ultimo cambio di stato
    5 ott 2026
    Fonte
    Il museo
    Sulla mappaPagina del museo

    Che cosa raffigura

    MustachesDress accessoriesCarte-de-visiteSymbols & MotifsWeaponsSwordsMilitary and IntelligenceUnion Army

    In catalogo

    FotografieStampa all’albuminaRealismoImpressionismoXIX secolo

    Fonti

    • National Portrait Gallery
    • Immagine: National Portrait Gallery — National Portrait Gallery, Smithsonian Institution (CC0)
    Untitled, Mathew B. Brady, 1860-70

    Untitled

    1860-70 · Non esposta · Museum of Modern Art

    Ernestine Souvenir, Mathew B. Brady, 1860-69

    Ernestine Souvenir

    1860-69 · Non esposta · Museum of Modern Art

    Untitled, Mathew B. Brady, c. 1860

    Untitled

    c. 1860 · Non esposta · Museum of Modern Art

    General Ulysses S. Grant, Mathew B. Brady, 1861-65

    General Ulysses S. Grant

    1861-65 · Non esposta · Museum of Modern Art

    President Lincoln, Mathew B. Brady, c. 1862

    President Lincoln

    c. 1862 · Non esposta · Museum of Modern Art

    Ruins of Richmond, Mathew B. Brady, 1863-65

    Ruins of Richmond

    1863-65 · Non esposta · Museum of Modern Art

    Ruins of the Gallego Flour Mills, Richmond, Virginia, Mathew B. Brady (studio of), Alexander Gardner, 1865

    Ruins of the Gallego Flour Mills, Richmond, Virginia

    1865 · Non esposta · Museum of Modern Art

    Ruins of Richmond & Petersburg Railroad Bridge, Richmond, Virginia, Mathew B. Brady, April 1865

    Ruins of Richmond & Petersburg Railroad Bridge, Richmond, Virginia

    April 1865 · Non esposta · Museum of Modern Art

    Robert F. Kennedy, Gardner Cox, 1968

    Gardner Cox

    Robert F. Kennedy, 1968

    Babe Ruth, Paolo Garretto, 1929

    Paolo Garretto

    Babe Ruth, 1929

    Alice Dunbar Nelson, Laura Wheeler Waring, 1927

    Laura Wheeler Waring

    Alice Dunbar Nelson, 1927

    Pauline Morton Sabin, Philip Alexius de László, 1926

    Philip Alexius de László

    Pauline Morton Sabin, 1926

    Adolph Ochs, Philip Alexius de László, 1926

    Philip Alexius de László

    Adolph Ochs, 1926

    Samuel Gompers, Moses Wainer Dykaar, 1924

    Moses Wainer Dykaar

    Samuel Gompers, 1924

    Alexander Graham Bell, Moses Wainer Dykaar, 1922

    Moses Wainer Dykaar

    Alexander Graham Bell, 1922

    Lillian D. Wald, William Valentine Schevill, 1919

    William Valentine Schevill

    Lillian D. Wald, 1919

    Unidentified Man, c. 1860-70

    Unidentified Man, c. 1860-70

    National Portrait Gallery

    Admiral George Dewey, Ulric Stonewall Jackson Dunbar, January 17, 1917

    Ulric Stonewall Jackson Dunbar

    Admiral George Dewey, January 17, 1917

    National Portrait Gallery

    Signor Agostino Guilliano Susini, c. 1860-70

    Signor Agostino Guilliano Susini, c. 1860-70

    National Portrait Gallery

    Alfred Stieglitz, Clara Sipprell, 1932

    Clara E. Sipprell

    Alfred Stieglitz, 1932

    National Portrait Gallery

    John Sherman, Daniel Chester French, 1886

    Daniel Chester French

    John Sherman, 1886

    National Portrait Gallery

    Unidentified Man, c. 1860-70

    Unidentified Man, c. 1860-70

    National Portrait Gallery

    Ambrose Everett Burnside, c. 1860-70

    Ambrose Everett Burnside, c. 1860-70

    National Portrait Gallery

    Charles F. Browne, c. 1860-67

    Charles F. Browne, c. 1860-67

    National Portrait Gallery