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Face Mask (Ngady Mwaash), Kuba, Late 19th-mid 20th century
Kuba

Face Mask (Ngady Mwaash)

Late 19th-mid 20th century · Mask

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Art Institute of Chicago

Chicago, Stati Uniti

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The ngady mwaash mask honors the role of women in Kuba life. It portrays a woman but, like other masks in Africa, is performed by a man. The most popular appearance of ngady mwaash is in a pantomime about the kingdom’s creation: ngady mwaash dances together with the mooshamb-wooy mask, representing the king (who is both her brother and her husband), and the bwoom mask [See 1982.1506].

Art Institute of ChicagoCC BY 4.0

Scheda

Numero di inventario
1982.1505

Che cosa raffigura

MasksKingdomOriginsPerformanceRoyalDonna

In catalogo

SculturaLegnoArte del dopoguerraXX secoloKuba (democratic republic of congo styleArts of AfricaCentral AfricaAfrican ArtDemocratic Republic of the Congo

Fonti

Altre opere di Kuba

Tutte le opere
Helmet Mask (Mukenga), Kuba, Possibly late 19th to mid -20th century

Helmet Mask (Mukenga)

Possibly late 19th to mid -20th century · Non esposta · Art Institute of Chicago

Helmet Mask (Bwoom), Kuba, Possibly late 19th to mid-20th century

Helmet Mask (Bwoom)

Possibly late 19th to mid-20th century · Non esposta · Art Institute of Chicago

Sotto lo stesso tetto: Art Institute of Chicago

Pagina del museo
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Paul Cézanne

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Stacks of Wheat (End of Summer), Claude Monet, 1890–91

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Sullo stesso tema · Masks

Tutte le opere sul tema
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Edward Sheriff Curtis

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Brassaï,

Fête foraine (Fair), from Transmutations, 1934-1935, printed 1967

Non esposta · National Gallery of Art

Transmutations, Brassaï, 1934–1935

Brassaï,

Transmutations, 1934–1935

Non esposta · National Gallery of Art

Tentation de Saint Antoine (Temptation of Saint Anthony), from Transmutations, Brassaï, 1934-1935, printed 1967

Brassaï,

Tentation de Saint Antoine (Temptation of Saint Anthony), from Transmutations, 1934-1935, printed 1967

Non esposta · National Gallery of Art

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Francesco Guardi

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Metropolitan Museum of Art

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Jan Toorop

Venise sauvée (Venice Preserved), 1895

Non esposta · National Gallery of Art