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  1. Collezione/
  2. Victoria and Albert Museum/
  3. Dr Anthony Addington
Dr Anthony Addington, Thomas Banks, 1790

Dr Anthony Addington

1790 · Bust · 76 × 47 cm

Sulla scultura

Despite the lively character of the sitter captured by the sculptor, this bust is based on a death mask. Dr Addington (1713-1790) was a distinguished doctor who specialised in the treatment of mental illness. One of his patients was King George III. Addington's son, Henry Addington, who probably commissioned this portrait, later became the British Prime Minister. This is one of the few portrait busts executed by Banks, who normally specialised in funerary monuments and ideal sculpture.

Continua a leggere

Thomas Banks (1735-1805) was apprenticed to a London mason, but also spent time working alongside the sculptor Peter Scheemakers (1691-1781). He enrolled in the life classes held at the St Martin's Lane Academy, and later at the Royal Academy Schools. In 1772 he became the first sculptor to win the Royal Academy's three-year travelling stipend, and went with his wife to Rome, where he eventually spent seven years. He specialised in ideal works, most of which were executed in Rome for British patrons, although he continued to produce similar work after his return to London. He was made a Royal Academician in 1786. Banks was one of the most original British Neo-classical sculptors, who dedicated his work to the antique spirit rather than to the fashionable classical style alone.. He tried to establish a market for modern gallery sculpture , which was particular for most patrons at the time preferred restored antique marbles, replicas, pastiches, busts and memorials.

Victoria and Albert Museum

Scheda

1790 · a 55 anni
17351805
Numero di inventario
A.2-1955

Altre opere di Thomas Banks

Tutte le opere

Nella stessa sala · Sculpture, Room 22, The Dorothy and Michael Hintze Galleries, Victoria and Albert Museum

Pagina del museo

Sullo stesso tema · Bust

Tutte le opere sul tema
Thomas Banks, ritrattoThomas BanksRegno Unito, 1735–1805

Si può ammirare?

Sì, riceve visite

Victoria and Albert Museum

Londra, Regno Unito

SalaSculpture, Room 22, The Dorothy and Michael Hintze Galleries

Esposta al pubblico. Chi lo garantisce è indicato qui sotto.

Verificato
13 giorni fa
Ultimo cambio di stato
25 set 2026
Fonte
Il museo
Sulla mappaPagina del museo

Che cosa raffigura

BustAddington, Anthony (Dr)

In catalogo

SculturaMarmoNeoclassicismoXVIII secoloLondra

Fonti

  • Victoria and Albert Museum
  • Immagine: Victoria and Albert Museum — © Victoria and Albert Museum, London
A Dying Hero, Thomas Banks, 1772-1779

A Dying Hero

1772-1779 · Victoria and Albert Museum

Achilles Arming, Thomas Banks, ca. 1777

Achilles Arming

ca. 1777 · Victoria and Albert Museum

Thetis and her nymphs rising from the sea to console Achilles for the loss of Patroclus, Thomas Banks, 1777-1778

Thetis and her nymphs rising from the sea to console Achilles for the loss of Patroclus

1777-1778 · Victoria and Albert Museum

Monument to William Shakespeare, James Stow after Thomas Banks, published 1798

Monument to William Shakespeare

published 1798 · Non esposta · National Gallery of Art

A Falling Giant, William Bond after William Hilton I after Thomas Banks, published 1811

A Falling Giant

published 1811 · Non esposta · National Gallery of Art

Pyramus and Thisbe (recto); Three Male Figures with Mausoleum Floor Plan (verso), Thomas Banks, n.d. (recto); 1770/1789 or 19th c. (verso)

Pyramus and Thisbe (recto); Three Male Figures with Mausoleum Floor Plan (verso)

n.d. (recto); 1770/1789 or 19th c. (verso) · Non esposta · Art Institute of Chicago

Alderman John Boydell, Lord Mayor of London in 1790, Thomas Banks, ca. 1791

Alderman John Boydell, Lord Mayor of London in 1790

ca. 1791 · Non esposta · Victoria and Albert Museum

Angel in Adoration, Thomas Banks, before 1792

Angel in Adoration

before 1792 · Non esposta · Victoria and Albert Museum

Model for Wellington Monument: Truth and Falsehood, Alfred George Stevens, 1867-8

Alfred Stevens

Model for Wellington Monument: Truth and Falsehood, 1867-8

Valour and Cowardice, Alfred George Stevens, 1866

Alfred Stevens

Valour and Cowardice, 1866

Pandora, John Gibson, 1856

John Gibson

Pandora, 1856

Eve listening to the voice, Edward Hodges Baily, 1842

Edward Hodges Baily

Eve listening to the voice, 1842

Maternal Affection, Edward Hodges Baily, 1837

Edward Hodges Baily

Maternal Affection, 1837

Catherine, Lady Stepney (d. 1845) as Cleopatra, Richard Cockle Lucas, ca. 1836

Richard Cockle Lucas

Catherine, Lady Stepney (d. 1845) as Cleopatra, ca. 1836

Nicolò Paganini, Henry Westmacott, 1832

Henry Westmacott

Nicolò Paganini, 1832

Cupid kindling the torch of Hymen, George Rennie, ca. 1831

George Rennie

Cupid kindling the torch of Hymen, ca. 1831

Classical Head, Pablo Picasso, 1922

Pablo Picasso

Classical Head, 1922

National Gallery of Art

Andrea Feldman (Long Straight Dark Blonde Hair), Andy Warhol, September 1981

Andy Warhol

Andrea Feldman (Long Straight Dark Blonde Hair), 1981

Non esposta · National Gallery of Art

Edna R. Weissman, Andy Warhol, August 1977

Andy Warhol

Edna R. Weissman, 1977

Non esposta · National Gallery of Art

Mrs. O'Connor Inglehart, Andy Warhol, September 1983

Andy Warhol

Mrs. O'Connor Inglehart, 1983

Non esposta · National Gallery of Art

Ina Ginsburg, Andy Warhol, July 1983

Andy Warhol

Ina Ginsburg, 1983

Non esposta · National Gallery of Art

Ina Ginsburg, Andy Warhol, January 1982

Andy Warhol

Ina Ginsburg, 1982

Non esposta · National Gallery of Art

Miles Fiterman, Andy Warhol, August 1975

Andy Warhol

Miles Fiterman, 1975

Non esposta · National Gallery of Art

Mrs. O'Connor Inglehart, Andy Warhol, September 1983

Andy Warhol

Mrs. O'Connor Inglehart, 1983

Non esposta · National Gallery of Art