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  1. Collezione/
  2. Rijksmuseum/
  3. Doornenkroning
Doornenkroning, Annibale Carracci, 1606
Annibale Carracci, ritrattoAnnibale CarracciItalia, 1560–1609

Doornenkroning

1606 · Print

Si può ammirare?

Non si sa

Rijksmuseum

Amsterdam, Paesi Bassi

Il proprietario è noto; non si sa se oggi sia esposta.

Fonte
Il museo
Sulla mappaPagina del museo

Sull’opera

Con le parole del museo — in olandese

Een soldaat plaatst de doornenkroon op het hoofd van Christus. Een andere man geeft Chritus een staf van riet.

Rijksmuseum

Scheda

1606 · a 46 anni
15601609
Numero di inventario
RP-P-OB-35.766

Che cosa raffigura

The crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31Mark 15:16-20John 19:2-3)

In catalogo

StampeBaroccoXVII secolo

Fonti

  • Rijksmuseum
  • Immagine: Rijksmuseum — public domain

Nel frattempo, nella vita di Annibale Carracci

Tutta la vita
  1. 1595–1609 · Luogo di lavoro

    Rome

  2. 1597–1605

    Assistants at the Palazzo Farnese: the masters to come

    Many of Annibale’s assistants and pupils on the projects at the Palazzo Farnese and the Herrera Chapel became pre-eminent artists of the next decades, among them Domenichino, Francesco Albani, Giovanni Lanfranco, Domenico Viola, Guido Reni and Sisto Badalocchio.

  3. c. 1605

    A mental breakdown after a meagre fee

    Carracci was a melancholic, and around 1605 he suffered a mental breakdown which, biographers explain, was caused by the unexpectedly low fee of 500 scudi for the frescoes of the Farnese gallery.

  4. March 1605

    Serious illness: rheumatism keeps him from painting

    In March 1605 Annibale fell seriously ill and apparently never recovered enough to resume work. From 1605 severe rheumatic pains deprived him of the ability to paint.

  5. 1606

    Leaves the Palazzo Farnese

    In 1606 Annibale left the Palazzo Farnese and lived in the Roman parish of San Lorenzo in Lucina.

  6. April 1606

    The cardinal laments the painter’s “heavy melancholic humour”

    In 1606 Annibale signed a “Madonna of the Bowl”, but in a letter of April 1606 Cardinal Odoardo Farnese lamented that a “heavy melancholic humour” kept Annibale from painting for him.

Altre opere di Annibale Carracci

Tutte le opere
The Coronation of the Virgin, Annibale Carracci, after 1595

The Coronation of the Virgin

after 1595 · Metropolitan Museum of Art

Two Children Teasing a Cat, Annibale Carracci

Two Children Teasing a Cat

Metropolitan Museum of Art

La Vierge aux cerises, Carrache, Annibal, 4e quart du XVIe siècle (1575 - 1600)

La Vierge aux cerises

4e quart du XVIe siècle (1575 - 1600) · Museo del Louvre

La Pêche, Carrache, Annibal, 4e quart du XVIe siècle (1575 - 1600)

La Pêche

4e quart du XVIe siècle (1575 - 1600) · Museo del Louvre

La Chasse, Carrache, Annibal, 4e quart du XVIe siècle (1575 - 1600)

La Chasse

4e quart du XVIe siècle (1575 - 1600) · Museo del Louvre

Le Sacrifice d'Abraham, Carrache, Annibal, 4e quart du XVIe siècle (1575 - 1600)

Le Sacrifice d'Abraham

4e quart du XVIe siècle (1575 - 1600) · Museo del Louvre

Portrait d'homme, dit autrefois Portrait du docteur Boissy, Carrache, Annibal, 4e quart du XVIe siècle (1575 - 1600)

Portrait d'homme, dit autrefois Portrait du docteur Boissy

4e quart du XVIe siècle (1575 - 1600) · Museo del Louvre

La Naissance de la Vierge, Carrache, Annibal, 4e quart du XVIe siècle (1575 - 1600)

La Naissance de la Vierge

4e quart du XVIe siècle (1575 - 1600) · Museo del Louvre

Sotto lo stesso tetto: Rijksmuseum

Pagina del museo
Self-portrait, Vincent van Gogh, 1887

Vincent van Gogh

Self-portrait, 1887

La Corniche near Monaco, Claude Monet, 1884

Claude Monet

La Corniche bij Monaco, 1884

De Nachtwacht, Rembrandt van Rijn, 1642

Rembrandt van Rijn

Ronda di notte, 1642

Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

Rembrandt van Rijn

Ritratto di Maria Trip, 1639

Still Life with Peacocks, Rembrandt van Rijn, c. 1639

Rembrandt van Rijn

Still Life with Peacocks, c. 1639

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

Landscape with a Stone Bridge, c. 1638

Man in Oriental Dress, Rembrandt van Rijn, 1635

Rembrandt van Rijn

Man in Oriental Dress, 1635

Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Haesje Jacobsdr van Cleyburg, 1634

Sullo stesso tema · The crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31

Tutte le opere sul tema
Doornenkroning, Lucas Cranach, 1509

Lucas Cranach

Doornenkroning, 1509

Rijksmuseum

Doornenkroning van Christus, Lucas Cranach, 1521 - 1522

Lucas Cranach

Doornenkroning van Christus, 1521 - 1522

Rijksmuseum

Christ Crowned with Thorns, Gerard van Honthorst, c. 1622

Gerard van Honthorst

Christ Crowned with Thorns, c. 1622

Rijksmuseum

Doornenkroning, Jacques Callot, 1624 - 1625

Jacques Callot

Doornenkroning, 1624 - 1625

Rijksmuseum

Doornenkroning, Jacques Callot, 1619 - 1624

Jacques Callot

Doornenkroning, 1619 - 1624

Rijksmuseum

Doornenkroning, Jacques Callot, 1619 - 1624

Jacques Callot

Doornenkroning, 1619 - 1624

Rijksmuseum

Zes Passiescènes: Kruisdraging, Christus aan het volk getoond (Ecce homo), Doornenkroning, Geseling, Christus voor Pilatus, Gevangenneming, Jacques Callot, 1635 - 1661

Jacques Callot

Zes Passiescènes: Kruisdraging, Christus aan het volk getoond (Ecce homo), Doornenkroning, Geseling, Christus voor Pilatus, Gevangenneming, 1635 - 1661

Rijksmuseum

Zes Passiescènes: Kruisdraging, Christus aan het volk getoond (Ecce homo), Doornenkroning, Geseling, Christus voor Pilatus, Gevangenneming, Jacques Callot, 1631

Jacques Callot

Zes Passiescènes: Kruisdraging, Christus aan het volk getoond (Ecce homo), Doornenkroning, Geseling, Christus voor Pilatus, Gevangenneming, 1631

Rijksmuseum