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  3. Decorative Study: Satyr
Decorative Study: Satyr, Aubrey Vincent Beardsley, 1892/98
Aubrey Beardsley, ritrattoAubrey BeardsleyRegno Unito, 1872–1898

Decorative Study: Satyr

1892/98 · Drawing and Watercolor

Si può ammirare?

Al momento non riceve

Art Institute of Chicago

Chicago, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
9 giorni fa
Ultimo cambio di stato
19 ago 2026
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

1892/98 · a 20 anni
18721898
Numero di inventario
1927.2260C

In catalogo

Disegni e acquerelliPennaImpressionismoXIX secoloInghilterra

Fonti

  • Art Institute of Chicago
  • Immagine: Art Institute of Chicago — CC0

Nel frattempo, nella vita di Aubrey Beardsley

Tutta la vita
  1. 1891

    Decides to become an artist

    In 1891, on the advice of Edward Burne-Jones and Pierre Puvis de Chavannes, Beardsley resolved to make art his profession. Burne-Jones introduced him to Oscar Wilde and advised him to study medieval illumination.

  2. 1892

    Trip to Paris

    In 1892 Beardsley travelled to Paris, where he discovered the posters of Henri de Toulouse-Lautrec and the Parisian fashion for Japanese prints.

  3. 1892

    Westminster School of Art

    In 1892 Beardsley attended classes at the Westminster School of Art, then under Professor Fred Brown.

  4. 14 February 1892

    Meets Robert Ross

    Robert Ross recalled their first meeting: Beardsley was shy, nervous and self-conscious — nothing like the assured man he would be eighteen months later, when his success was unquestioned; after half an hour he relaxed and grew talkative.

  5. 1894

    Art editor of The Yellow Book

    In 1894 Beardsley, together with the American writer Henry Harland, became art editor of The Yellow Book; for its first four issues he produced the covers and many illustrations.

  6. 1894–1896

    His health sharply declines

    Between 1894 and 1896, at the height of his success, his health sharply deteriorated. “I know my illness is incurable,” he wrote to Raffalovich, “but I am sure measures can be taken to slow its course.”

Altre opere di Aubrey Beardsley

Tutte le opere
Caricature of J.M. Whistler, Aubrey Beardsley

Caricature of J.M. Whistler

Non esposta · National Gallery of Art

Withered Spring, Aubrey Beardsley

Withered Spring

Non esposta · National Gallery of Art

Tannhäuser, Aubrey Beardsley

Tannhäuser

Non esposta · National Gallery of Art

Sitzende junge Frau vor einem Tisch mit einem Fötus unter einem Glassturz, Aubrey Beardsley

Sitzende junge Frau vor einem Tisch mit einem Fötus unter einem Glassturz

Albertina

In einen Umhang gehüllter alter Mann, den Erdball gießend, Aubrey Beardsley

In einen Umhang gehüllter alter Mann, den Erdball gießend

Albertina

Zwei bacchantische Hexen mit ihren Opfern, Aubrey Beardsley

Zwei bacchantische Hexen mit ihren Opfern

Albertina

CHILDREN'S BOOKS., Aubrey Beardsley, 1894

CHILDREN'S BOOKS.

1894 · Albertina

Caprice. Verso: Masked Woman with a White Mouse, Aubrey Beardsley, 1894

Caprice. Verso: Masked Woman with a White Mouse

1894 · National Gallery

Sotto lo stesso tetto: Art Institute of Chicago

Pagina del museo
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Una domenica pomeriggio sull'isola della Grande-Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Strada di Parigi in un giorno di pioggia, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Sulla terrazza, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

il cesto di mele, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

I nottambuli, 1942