De kruisiging

1508 · Print

Si può ammirare?

Non si sa

Rijksmuseum

Amsterdam, Paesi Bassi

Il proprietario è noto; non si sa se oggi sia esposta.

Fonte: Il museo

Sulla mappa Pagina del museo

Sull’opera

Con le parole del museo — in olandese

Christus aan het kruis. Aan zijn linkerzijde staat Johannes de evangelist met de handen geheven in een biddend gebaar, aan zijn rechterzijde staan en zitten vier treurende vrouwen.

Rijksmuseum

Scheda

Numero di inventario: RP-P-OB-1182

Che cosa raffigura

Crucified Christ with Mary, John, and Mary Magdalene

In catalogo

Stampe Rinascimento XVI secolo

Fonti

Rijksmuseum
Immagine: Rijksmuseum — public domain

Nel frattempo, nella vita di Albrecht Dürer

Tutta la vita

1505–1507
To Bologna for the secrets of perspective
Dürer travelled to the university city of Bologna, hoping to learn the secrets of geometric perspective from its scholars. He then meant to visit Mantegna in Padua but received news of his death, which he greatly regretted afterwards.
1505–1507
Friendship with Giovanni Bellini
Dürer considered Giovanni Bellini “the best in painting”, the only Venetian master with whom he became friends. The Madonna of the Siskin may have been painted at Bellini's request.
1505–1507 · Luogo di lavoro
Venice
1507
Leaving Venice: “Here I am a gentleman”
Dürer left Italy, apparently reluctantly: in one of his last letters to Pirckheimer he remarked, “Here I am a gentleman, while at home I am only a parasite.”
1507–1528 · Luogo di lavoro
Nuremberg
1509
Elected to Nuremberg's Greater Council
Dürer was elected a nominated member of Nuremberg's Greater Council; in that role he may have taken part in the city's artistic projects.