ART WIKI32.963 in sala
MappaCollezioneArtistiMuseiMostreRivista
Accedi

ART WIKI

Dove è appeso il capolavoro, e quando si può entrare.

Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (6 musei), Paris Musées (12 musei) e Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei). Le immagini appartengono ai titolari dei diritti.

Sezioni

  • Mappa
  • Ricerca
  • Collezione
  • Capolavori
  • Esposte ora
  • Artisti

Altro

  • Musei e gallerie
  • Mostre
  • Rivista
  • Da dove vengono i dati
  • Privacy e cookie
HomeMappaCatalogo
  1. Collezione/
  2. Rijksmuseum/
  3. De hoer van Babylon
De hoer van Babylon, Albrecht Dürer, 1496 - 1497
Albrecht Dürer, ritrattoAlbrecht DürerGermania, 1471–1528

De hoer van Babylon

1496 - 1497 · Print

Si può ammirare?

Non si sa

Rijksmuseum

Amsterdam, Paesi Bassi

Il proprietario è noto; non si sa se oggi sia esposta.

Fonte
Il museo
Sulla mappaPagina del museo

Sull’opera

Con le parole del museo — in olandese

Een mooi geklede en gekapte vrouw rijdt op een beest met zeven koppen en tien horens. Vanuit de hemel verschijnt een leger ruiters. Daarnaast twee engelen, van wie één een molensteen vast heeft. Rechts op de achtergrond is te zien hoe een stad in vlammen opgaat. Op versozijde Latijnse bijbeltekst in gotisch schrift in twee kolommen.

Rijksmuseum

Scheda

1496 - 1497
14711528
Numero di inventario
RP-P-OB-1391

Che cosa raffigura

The scarlet woman, the whore of BabylonShe is usually sitting on a scarlet beast with seven heads and ten hornsThe fall of Babylon

In catalogo

StampeRinascimentoXV secolo

Fonti

  • Rijksmuseum
  • Immagine: Rijksmuseum — public domain

Nel frattempo, nella vita di Albrecht Dürer

Tutta la vita
  1. c. 1492 – 1494

    Basel: woodcuts for the printers

    In Basel, a centre of printing, Dürer stayed with Georg Schongauer. A woodblock for the title page of the Letters of St Jerome (1492), signed with his name on the back, led to the works of the “Master of the Bergmann Press” being attributed to him; he may also have worked on the woodcuts for Sebastian Brant's Ship of Fools.

  2. July 1494

    Marries Agnes Frey

    Soon after returning to Nuremberg the 23-year-old Dürer married Agnes Frey, daughter of a prominent brass worker and amateur harpist; the match had been arranged in his absence, and marriage was required to open a workshop of his own. They had no children, and his letters suggest the marriage was not a happy one.

  3. 7 luglio 1494

    Married: Agnes Dürer

  4. 1494–1495

    First journey to Italy

    Within three months of the wedding Dürer left alone for Italy, perhaps fleeing an outbreak of plague in Nuremberg. Crossing the Alps he made watercolour landscapes; in Venice he studied its art and judged Giovanni Bellini the best of its painters; Mantegna and Pollaiuolo left their mark on him.

  5. 1495

    Opens his own workshop

    Dürer opened his own workshop in Nuremberg, where over the next ten years he created much of his printmaking. His godfather, the publisher Anton Koberger, helped issue the first series; the city's crafts were governed by the Council rather than guilds, leaving him free to try new techniques and sell his own impressions.

Altre opere di Albrecht Dürer

Tutte le opere
Virgin and Child with Saint Anne, Albrecht Dürer, probably 1519

Virgin and Child with Saint Anne

probably 1519 · Metropolitan Museum of Art

Female Nude Seen from Behind, Albrecht Dürer, early 17th century

Female Nude Seen from Behind

early 17th century · Metropolitan Museum of Art

Madonna and Child [obverse], Albrecht Dürer, c. 1496/1499

Madonna Haller

c. 1496/1499 · National Gallery of Art

Lot and His Daughters [reverse], Albrecht Dürer, c. 1496/1499

Lot and His Daughters [reverse]

c. 1496/1499 · National Gallery of Art

The Martyrdom of Saint Catherine, Albrecht Dürer, ca. 1498

The Martyrdom of Saint Catherine

ca. 1498 · Metropolitan Museum of Art

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Nemesis (The Great Fortune)

c. 1501/1502 · Cleveland Museum of Art

Large Horse, Albrecht Dürer, 1505

Large Horse

1505 · Cleveland Museum of Art

The Lamentation, Albrecht Dürer, 1507

The Lamentation

1507 · Cleveland Museum of Art

Sotto lo stesso tetto: Rijksmuseum

Pagina del museo
Self-portrait, Vincent van Gogh, 1887

Vincent van Gogh

Self-portrait, 1887

La Corniche near Monaco, Claude Monet, 1884

Claude Monet

La Corniche bij Monaco, 1884

De Nachtwacht, Rembrandt van Rijn, 1642

Rembrandt van Rijn

Ronda di notte, 1642

Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

Rembrandt van Rijn

Ritratto di Maria Trip, 1639

Still Life with Peacocks, Rembrandt van Rijn, c. 1639

Rembrandt van Rijn

Still Life with Peacocks, c. 1639

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

Landscape with a Stone Bridge, c. 1638

Man in Oriental Dress, Rembrandt van Rijn, 1635

Rembrandt van Rijn

Man in Oriental Dress, 1635

Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Haesje Jacobsdr van Cleyburg, 1634