Giovanni Francesco Barbieri, called GuercinoItalia, 1591–1666De heilige Antonius van Padua
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Amsterdam, Paesi Bassi
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- Fonte
- Il museo
Sull’opera
Con le parole del museo — in olandese
De heilige Antonius van Padua met een boek en een lelietak in zijn handen.
Rijksmuseum
Scheda
- Numero di inventario
- RP-P-OB-36.355
Che cosa raffigura
In catalogo
Fonti
- Rijksmuseum
- Immagine: Rijksmuseum — public domain
Nel frattempo, nella vita di Giovanni Francesco Barbieri, called Guercino
Tutta la vita1621
Moves to Rome, to the court of Gregory XV
Marchese Enzo Bentivoglio recommended Guercino to the newly elected Pope Gregory XV, the Bolognese Alessandro Ludovisi. His Roman years (1621–1623) were the most productive of his life; the portrait of the pope (now in the Getty Museum) dates from them.
1623
Returns to his native Cento
After the death of Pope Gregory XV, Guercino left Rome and returned to his hometown.
1623
Ottavio Leoni draws his portrait
The portrait emphasises the permanent squint that gave the artist his nickname. Guercino's right eye was apparently 'lazy' and he presumably had monocular vision — which did not stop him conveying depth remarkably well.
1629
The Barbieri household account book begins
From this year Guercino's affairs are recorded in the Libro dei Conti di Casa Barbieri, kept up with his brother Paolo Antonio, a notable still-life painter; the book survives. He worked with extreme rapidity — no fewer than 106 large altarpieces and some 144 other paintings, besides a great many drawings.
1642
Moves to Bologna after Guido Reni's death
After the death of his commercial rival Guido Reni, Guercino moved his busy workshop to Bologna and took over Reni's role as the city's leading painter of sacred subjects. He painted and taught to the end of his life, amassed a notable fortune and, never having married, left it to his nephews and pupils Benedetto Gennari II and Cesare Gennari.
22 dicembre 1666
Died
