Anthony van DyckFiandre, 1599–1641De bespotting van Christus
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Amsterdam, Paesi Bassi
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- Fonte
- Il museo
Sull’opera
Con le parole del museo — in olandese
De bespotting van Christus door twee mannen, een man reikt hem spottend de rietstaf aan en een soldaat hangt hem een mantel om de schouders. Met vier regels Latijnse tekst in de marge onderaan.
Rijksmuseum
Scheda
- Numero di inventario
- RP-P-1887-A-12004
Che cosa raffigura
In catalogo
Fonti
- Rijksmuseum
- Immagine: Rijksmuseum — public domain
Nella vita di Anthony van Dyck
Tutta la vita1626–1632
The Iconography Print Series
After returning to Antwerp, Van Dyck conceived a large series of engraved portraits of his contemporaries, the Iconography; he etched eighteen plates himself, executing the preparatory drawings mainly between 1626 and 1633. The first edition (80 plates) appeared in Antwerp in 1632.
by 1630
Court Painter to Archduchess Isabella
From 1630 Van Dyck was court painter to Archduchess Isabella Clara Eugenia of Habsburg, regent of the Spanish Netherlands; for her portrait he received a gold chain.
1632 · Luogo di lavoro
London
5 July 1632
Principal Painter to King Charles I
On 5 July 1632 Charles I officially appointed Van Dyck principal painter to the king, guaranteeing an annual income of two hundred pounds sterling; the king gave him a large house with a garden on the banks of the Thames.
27 febbraio 1640
Married: Mary Ruthven
9 dicembre 1641
Died
