ART WIKI
Christ bearing the cross, 1460-1500

Christ bearing the cross

1460-1500 · Relief · 5 × 4 cm

Si può ammirare?

Sì, riceve visite

Victoria and Albert Museum

Londra, Regno Unito

SalaSculpture, Room 111, The Gilbert Bayes Gallery

Esposta al pubblico.

Verificato
Ultimo cambio di stato
Fonte
Il museo
Sulla mappaPagina del museo

Sulla scultura

Mother-of-pearl, jet coral and amber were selected by craftsmen for their beauty, durability and rarity. These materials often occurred in a particular geographical region. Coral for example was prevalent in Sicily and amber along the Baltic coast. Many of the religious items were portable, as were the small portraits. They were often made locally and then taken elsewhere. Pilgrims from all over Europe bought the jet images made in Santiago de Compostela.

Victoria and Albert Museum

Scheda

Numero di inventario
A.51-1929

Che cosa raffigura

SoldierJesus ChristSimon (of Cyrene)The Bearing of the Cross

In catalogo

SculturaRinascimentoXV secoloGermania

Fonti

Nella stessa sala · Sculpture, Room 111, The Gilbert Bayes Gallery, Victoria and Albert Museum

Pagina del museo
Echoes of Amphora: Column Vessel I/20, Eleanor Lakelin, 2020

Eleanor Lakelin

Echoes of Amphora: Column Vessel I/20, 2020

Gladiators: Hector and Ajax (Combat), Leon Underwood, 1963

Leon Underwood

Gladiators: Hector and Ajax (Combat), 1963

Plaque, René Jules Lalique, 1937

René Lalique

Plaque, 1937

The Lure of the Pan Pipes, Gilbert Bayes, 1932

Gilbert Bayes

The Lure of the Pan Pipes, 1932

The Lure of the Pan Pipes, Gilbert Bayes, 1932

Gilbert Bayes

The Lure of the Pan Pipes, 1932

Emmeline Pankhurst, Arthur George Walker, ca. 1929

Arthur George Walker

Emmeline Pankhurst, ca. 1929

The Duchesse de Choiseul, Auguste Rodin, 1908

Auguste Rodin

The Duchesse de Choiseul, 1908

St Elizabeth, George James Frampton, 1902

George James Frampton

St Elizabeth, 1902

Sullo stesso tema · Soldier

Tutte le opere sul tema
Ecce Homo, Caravaggio, 1674–1684

Caravaggio

Ecce Homo, 1674–1684

Herzog Anton Ulrich-Museum

[Das Reitergefecht; The Cavalry Fight; Sujet de bataille], Rembrandt, 1629

Rembrandt van Rijn

[Das Reitergefecht; The Cavalry Fight; Sujet de bataille], 1629

Herzog Anton Ulrich-Museum

[Die drei Kreuze; Christus am Kreuz zwischen den Schächern; Christ Crucified Between the Two Thieves (The 'Three Crosses'); Les trois Croix], Rembrandt, 1653

Rembrandt van Rijn

[Die drei Kreuze; Christus am Kreuz zwischen den Schächern; Christ Crucified Between the Two Thieves (The 'Three Crosses'); Les trois Croix], 1653

Herzog Anton Ulrich-Museum

Sketch of a Swordsman Standing Over His Defeated Opponent [recto], William Blake, c. 1780/1785

William Blake

Sketch of a Swordsman Standing Over His Defeated Opponent [recto], c. 1780/1785

Non esposta · National Gallery of Art

Sketch of a Swordsman Standing Over His Defeated Opponent [verso], William Blake, c. 1780/1785

William Blake

Sketch of a Swordsman Standing Over His Defeated Opponent [verso], c. 1780/1785

Non esposta · National Gallery of Art

Die Geißelung Christi, Albrecht Dürer, 1630–1673

Albrecht Dürer

Die Geißelung Christi, 1630–1673

Herzog Anton Ulrich-Museum

Die Auferstehung Christi, Albrecht Dürer, 1630–1673

Albrecht Dürer

Die Auferstehung Christi, 1630–1673

Herzog Anton Ulrich-Museum

Christus vor Herodes, Albrecht Dürer, 1630–1673

Albrecht Dürer

Christus vor Herodes, 1630–1673

Herzog Anton Ulrich-Museum