Giuseppe Maria CrespiItalia, 1665–1747Cacasseno te paard
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Amsterdam, Paesi Bassi
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- Fonte
- Il museo
Sull’opera
Con le parole del museo — in olandese
Cacasseno te paard, treks alleen aan de rechter teugel. Onder de voorstelling een drieregelig rijmpje in het Italiaans. Prent uit een reeks van zes met de streken van Caccasseno, onderdeel van een serie van twintig prenten.
Rijksmuseum
Scheda
- Numero di inventario
- RP-P-1959-648
Che cosa raffigura
In catalogo
Fonti
- Rijksmuseum
- Immagine: Rijksmuseum — public domain
Nella vita di Giuseppe Maria Crespi
Tutta la vita1708
Flees to Florence by night with the “Massacre of the Innocents”
Bearing his large religious canvas of the Massacre of the Innocents and a note from Count Vincenzo Rannuzi Cospi as an introduction, Crespi flees in the middle of the night to Florence and gains the patronage of the Grand Duke Ferdinand de’ Medici. The canvas, intended for the Duke, had been fancied by a local priest, Don Carlo Silva, and the episode becomes the source of much litigation, in which the Duke remains Crespi’s firm protector for at least the next five years.
23 gennaio 1708
Son born: Luigi Crespi
1709
Son born: Ferdinando Crespi
22 giugno 1712
Son born: Carlo Antonio Crespi
![Young Peasant Seated on the Ground [recto], Attributed to Giuseppe Maria Crespi](https://api.nga.gov/iiif/bb9bb4e1-e23e-4d56-8943-42ef11ecde4a/full/!2400,2400/0/default.jpg)
![[Christus und die Samariterin; Christ and the Woman of Samaria. An Arched Print; La Samaritaine], Rembrandt, 1657](https://diglib.hab.de/varia/haum/rembrandt-v3-4560/max/000001.jpg)
![[Die kleine Löwenjagd mit zwei Löwen; The Small Lion Hunt with Two Lions; Chasse aux lions], Rembrandt, 1629](https://diglib.hab.de/varia/haum/rembrandt-v3-4599/max/000001.jpg)
