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  3. Apparition
Apparition, Odilon Redon, about 1880–1890
Odilon Redon, ritrattoOdilon RedonFrancia, 1840–1916

Apparition

about 1880–1890 · Drawing · 52.5 × 37.3 cm

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GM
Getty Museum

Los Angeles, Stati Uniti

SalaMuseum West Pavilion, Gallery W106

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Verificato
l’altro ieri
Ultimo cambio di stato
5 ott 2026
Fonte
Il museo
Sulla mappaPagina del museo

Sull’opera

This is one of Odilon Redon's *noirs*, charcoal drawings that he made over several decades in the late 1800s and so named for their dark tones and mysterious, often nightmarish, imagery. Here, strong black strokes of charcoal cover much of the warm-toned paper, creating an atmosphere of primordial gloom. From this dark void the capped head of a bearded figure appears. A strong, supernatural light emanates from him, and yet his eyes are cast in mysterious shadow. He smiles slightly. Rays of light shine down from an orb above the figure's head; the orb is shaped like a thought-bubble that seems to connote thoughts or imagination--or put more abstractly, the cerebral act that precedes creation. And perhaps creation is what the artist has implied here: the first passages in the book of Genesis that describe God's creation of heaven and earth and the division of day from night. On the other hand, the drawing's imagery is subtle and obtuse. Like a dream, the elements cannot add up to a purely rationalized experience.

GMGetty Museum

Scheda

about 1880–1890
18401916
Numero di inventario
2013.38

In catalogo

Disegni e acquerelliCarboncinoImpressionismoXIX secoloFrancia

Fonti

  • Getty Museum
  • Immagine: Getty Museum — Open Content

Nel frattempo, nella vita di Odilon Redon

Tutta la vita
  1. 1878 · Luogo di lavoro

    Amsterdam

  2. 1878 · Luogo di lavoro

    Rotterdam

  3. 1880

    Married: Camille Redon

  4. 1884

    Huysmans’s novel “Against Nature” makes him known

    After the publication of Joris-Karl Huysmans’s novel “À rebours” in 1884 the public began to take an interest in Redon: the book’s hero assembled a collection of art that included Redon’s drawings.

  5. 1886

    The eighth Impressionist exhibition

    Redon took part in the eighth and last Impressionist exhibition.

  6. from 1890

    The turn from “noirs” to colour

    From 1890 Redon turned more and more to oil and pastel and gave up his “black” works; after 1900 he made no more noirs. He explained the change by saying he had realised that the unwinding ribbon of life brings not only sorrow but joy.

Altre opere di Odilon Redon

Tutte le opere
Village by the Sea in Brittany, Odilon Redon, c. 1880

Village by the Sea in Brittany

c. 1880 · National Gallery of Art

Breton Village, Odilon Redon, c. 1890

Breton Village

c. 1890 · National Gallery of Art

Les Anemones (Still Life with Anemones), Odilon Redon, c. 1900–10

Les Anemones (Still Life with Anemones)

c. 1900–10 · Minneapolis Institute of Art

Bouquet of Flowers, Odilon Redon, ca. 1900–1905

Bouquet of Flowers

ca. 1900–1905 · Metropolitan Museum of Art

Baronne de Domecy, Odilon Redon, about 1900

Baronne de Domecy

about 1900 · Getty Museum

Madame Arthur Fontaine (Marie Escudier, 1865–1946), Odilon Redon, 1901

Madame Arthur Fontaine (Marie Escudier, 1865–1946)

1901 · Metropolitan Museum of Art

Vase of Flowers (Pink Background), Odilon Redon, ca. 1906

Vase of Flowers (Pink Background)

ca. 1906 · Metropolitan Museum of Art

Evocation of Roussel, Odilon Redon, c. 1912

Evocation of Roussel

c. 1912 · National Gallery of Art

Sotto lo stesso tetto: Getty Museum

Pagina del museo
Irises, Vincent van Gogh, 1889

Vincent van Gogh

Irises, 1889

The Portal of Rouen Cathedral in Morning Light, Claude Monet, 1894

Claude Monet

The Portal of Rouen Cathedral in Morning Light, 1894

Wheatstacks, Snow Effect, Morning (Meules, Effet de Neige, Le Matin), Claude Monet, 1891

Claude Monet

Wheatstacks, Snow Effect, Morning (Meules, Effet de Neige, Le Matin), 1891

Sunrise (Marine), Claude Monet, 1872 or 1873

Claude Monet

Sunrise (Marine), 1872 or 1873

Still Life with Flowers and Fruit, Claude Monet, 1869

Claude Monet

Still Life with Flowers and Fruit, 1869

Saint Bartholomew, Rembrandt Harmensz. van Rijn, 1661

Rembrandt van Rijn

Saint Bartholomew, 1661

Daniel and Cyrus Before the Idol Bel, Rembrandt Harmensz. van Rijn, 1633

Rembrandt van Rijn

Daniel and Cyrus Before the Idol Bel, 1633

The Abduction of Europa, Rembrandt Harmensz. van Rijn, 1632

Rembrandt van Rijn

Il rapimento di Europa, 1632