Italia · 1529–1566
Taddeo Zuccaro
- 22in catalogo
- 0esposte ora
- 9collezioni
- 3paesi

Soldiers Carrying a Model of a City
about 1548 · Non esposta · Getty Museum

Design for a Circular Dish (recto); Figure Studies (verso)
about 1553–1556 · Non esposta · Getty Museum

Cardinal Albornoz Gives the Farnese the Keys to Valentino
about 1565 · Non esposta · Getty Museum

Study for Male Allegorical Figure
n.d. · Non esposta · Art Institute of Chicago

Standing Soldiers and Kneeling Figures
n.d. · Non esposta · Art Institute of Chicago

Moses and the Crossing of the Red Sea (recto); A Pope Kneeling Before Christ as Salvator Mundi (verso)
16th century · Non esposta · Minneapolis Institute of Art

HOMME NU VU DE DOS
16e siècle · Musée Bonnat

Bataille
2e quart 16e siècle, 3e quart 16e siècle · Museo di belle arti di Rennes

Women with playing children
1529-66 · Non esposta · Victoria and Albert Museum

Two friezes
1529-66 · Non esposta · Victoria and Albert Museum

Nude Youth
1550-1555 · Non esposta · Harvard Art Museums

Guerriers combattant
2e moitié 16e siècle · Museo di belle arti di Rennes

La Crucifixion
3e quart 16e siècle · Museo di belle arti di Rennes

La Décollation de saint Jean-Baptiste
1551-1575 · Musée des Beaux-Arts

Un Hebreo, from Christ Shown to the People (recto)
after 1556 · Non esposta · Cleveland Museum of Art

A Miracle of Saint Philip Benizzi: The Healing of a Demoniac Woman
c. 1557 · Non esposta · Cleveland Museum of Art

Three Figures Supporting a Man, Smaller Sketch of the Same, and Studies for the Blinding of Elymas
c. 1558 · Non esposta · Art Institute of Chicago

Sheet of Studies for the Blinding of Elymas, Sacrifice at Lystra, and a Holy Family
c. 1558 · Non esposta · Art Institute of Chicago

The Conversion of Saint Paul
1558/1559–1566 · Non esposta · Getty Museum

L'ENTREE DE CHARLES QUINT, DE FRANÇOIS IER ET DU CARDINAL ALESSANDRO FARNESE A PARIS EN 1540
1561 · Musée Bonnat

Standing Prophet with a Book and Scroll
1562/66 · Non esposta · Art Institute of Chicago

Agony in the Garden
c. 1600 · Non esposta · Art Institute of Chicago