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Où voir des œuvres et quand le musée est ouvert.

Collections : Art Institute of Chicago, Centre d'art britannique de Yale, Cleveland Museum of Art, Cooper Hewitt, Galerie Tretiakov, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, musée national d'art asiatique, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, National Portrait Gallery, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Yale University Art Gallery, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées), Wikidata (44 musées), Paris Musées (12 musées), Joconde, la base des musées du ministère de la Culture (495 musées) et le Catalogo generale dei Beni Culturali du ministère italien de la Culture (74 musées). Les images appartiennent à leurs ayants droit.

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Catalogue

Dessins et aquarelles

512 378 œuvres de 349 musées715 exposées en ce momentEffacer

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Technique
  • Toutes
  • Graphite139 729
  • Plume61 422
  • Aquarelle59 077
  • Encre52 795
  • Craie39 883
  • Fusain9 549
  • Gouache9 482
  • Pastel4 297
  • Huile2 442
  • Pointe d’argent430
  • Technique mixte301
The First Book of Urizen, Plate 15 (Bentley 14), William Blake, 1794William BlakeThe First Book of Urizen, Plate 15 (Bentley 14)1794Centre d'art britannique de Yale
Ode to Adversity; Title Page, William Blake, between 1797 and 1798William BlakeOde to Adversity; Title Pagebetween 1797 and 1798Centre d'art britannique de Yale
Landscape with Spire, William Blake, ca. 1801William BlakeLandscape with Spireca. 1801Centre d'art britannique de Yale
Chapter VII, "Stretch'd for a work of eternity..." (Plate 22), William Blake, 1794William BlakeChapter VII, "Stretch'd for a work of eternity..." (Plate 22)1794Centre d'art britannique de Yale
The Descent of Odin, An Ode; Title Page, William Blake, between 1797 and 1798William BlakeThe Descent of Odin, An Ode; Title Pagebetween 1797 and 1798Centre d'art britannique de Yale
"Fear to stop, and shame to fly..." (Design 91), William Blake, between 1797 and 1798William Blake"Fear to stop, and shame to fly..." (Design 91)between 1797 and 1798Centre d'art britannique de Yale
Tiriel Supporting the Dying Myratana and Cursing His Sons, William Blake, 1786 to 1789William BlakeTiriel Supporting the Dying Myratana and Cursing His Sons1786 to 1789Centre d'art britannique de Yale
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16), William Blake, 1793William Blake"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)1793Centre d'art britannique de Yale
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14), William Blake, 1793William Blake"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)1793Centre d'art britannique de Yale
A Dream (Plate 4), William Blake, 1789William BlakeA Dream (Plate 4)1789Centre d'art britannique de Yale
Plague (Plate 13), William Blake, 1794William BlakePlague (Plate 13)1794Centre d'art britannique de Yale
The Widow Embracing Her Husband's Grave, William Blake, 1805 to 1808William BlakeThe Widow Embracing Her Husband's Grave1805 to 1808Centre d'art britannique de Yale
Chapter IX, "They lived a period of years..." (Plate 27), William Blake, 1794William BlakeChapter IX, "They lived a period of years..." (Plate 27)1794Centre d'art britannique de Yale
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3), William Blake, 1793William BlakePreludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)1793Centre d'art britannique de Yale
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19), William Blake, between 1797 and 1798William Blake"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)between 1797 and 1798Centre d'art britannique de Yale
Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28, William Blake, 1819William BlakeSheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 281819Centre d'art britannique de Yale
Ode on the Spring; Title Page, William Blake, between 1797 and 1798William BlakeOde on the Spring; Title Pagebetween 1797 and 1798Centre d'art britannique de Yale
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23), William Blake, 1804 to 1820William Blake"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)1804 to 1820Centre d'art britannique de Yale
Albion Compelling the Four Zoas to Their Proper Tasks, William Blake, 1804 to 1810William BlakeAlbion Compelling the Four Zoas to Their Proper Tasks1804 to 1810Centre d'art britannique de Yale
Poems by Mr. Gray; Title Page, William Blake, between 1797 and 1798William BlakePoems by Mr. Gray; Title Pagebetween 1797 and 1798Centre d'art britannique de Yale
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57), William Blake, between 1797 and 1798William Blake"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)between 1797 and 1798Centre d'art britannique de Yale
Socrates, a Visionary Head, William Blake, ca. 1820William BlakeSocrates, a Visionary Headca. 1820Centre d'art britannique de Yale
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71), William Blake, between 1797 and 1798William Blake"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)between 1797 and 1798Centre d'art britannique de Yale
The Fatal Sisters, An Ode; Title Page, William Blake, between 1797 and 1798William BlakeThe Fatal Sisters, An Ode; Title Pagebetween 1797 and 1798Centre d'art britannique de Yale
Joseph and Potiphar's Wife, William Blake, 1803 to 1805William BlakeJoseph and Potiphar's Wife1803 to 1805Centre d'art britannique de Yale
The Little Girl Lost (Plate 20), William Blake, 1789William BlakeThe Little Girl Lost (Plate 20)1789Centre d'art britannique de Yale
Moses Receiving the Law, William Blake, ca. 1780William BlakeMoses Receiving the Lawca. 1780Centre d'art britannique de Yale
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18), William Blake, 1793William Blake"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)1793Centre d'art britannique de Yale
"The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9), William Blake, between 1797 and 1798William Blake"The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)between 1797 and 1798Centre d'art britannique de Yale
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11), William Blake, 1793William Blake"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)1793Centre d'art britannique de Yale
"Now comes the night of Enitharmons joy!..." (Plate 7), William Blake, 1794William Blake"Now comes the night of Enitharmons joy!..." (Plate 7)1794Centre d'art britannique de Yale
Elegy Written in a Country Church-Yard; Title Page, William Blake, between 1797 and 1798William BlakeElegy Written in a Country Church-Yard; Title Pagebetween 1797 and 1798Centre d'art britannique de Yale
Chapter V, "Two Nostrils bent down to the deep..." (Plate 16), William Blake, 1794William BlakeChapter V, "Two Nostrils bent down to the deep..." (Plate 16)1794Centre d'art britannique de Yale
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12), William Blake, 1793William Blake"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)1793Centre d'art britannique de Yale
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9), William Blake, 1793William Blake"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)1793Centre d'art britannique de Yale
Infant Joy (Plate 14), William Blake, 1789William BlakeInfant Joy (Plate 14)1789Centre d'art britannique de Yale
Chapter V, "The globe of life blood trembled..." (Plate 17), William Blake, 1794William BlakeChapter V, "The globe of life blood trembled..." (Plate 17)1794Centre d'art britannique de Yale
"To him the mighty mother did unveil Her awful face..." (Design 49), William Blake, between 1797 and 1798William Blake"To him the mighty mother did unveil Her awful face..." (Design 49)between 1797 and 1798Centre d'art britannique de Yale
Chapter IV, "From the caverns of his jointed spine..." (Plate 14), William Blake, 1794William BlakeChapter IV, "From the caverns of his jointed spine..." (Plate 14)1794Centre d'art britannique de Yale
"What time the thirteen Governors that England sent convene..." (Plate 15), William Blake, 1793William Blake"What time the thirteen Governors that England sent convene..." (Plate 15)1793Centre d'art britannique de Yale
"A brace of warriors... rustling in their silks and tissues..."(Design 27), William Blake, between 1797 and 1798William Blake"A brace of warriors... rustling in their silks and tissues..."(Design 27)between 1797 and 1798Centre d'art britannique de Yale
"Oft did the harvest to their sickle yield..." (Design 109), William Blake, between 1797 and 1798William Blake"Oft did the harvest to their sickle yield..." (Design 109)between 1797 and 1798Centre d'art britannique de Yale
Sigtryg with the Silken Beard (Design 69), William Blake, between 1797 and 1798William BlakeSigtryg with the Silken Beard (Design 69)between 1797 and 1798Centre d'art britannique de Yale
"Nor fear the rocks, nor seek the shore..." (Design 101), William Blake, between 1797 and 1798William Blake"Nor fear the rocks, nor seek the shore..." (Design 101)between 1797 and 1798Centre d'art britannique de Yale
The Gambols of Ghosts According with Their Affections Previous to the Final Judgment, William Blake, 1805 to 1808William BlakeThe Gambols of Ghosts According with Their Affections Previous to the Final Judgment1805 to 1808Centre d'art britannique de Yale
"Shot from the heights of Enitharmon..." (Plate 17), William Blake, 1794William Blake"Shot from the heights of Enitharmon..." (Plate 17)1794Centre d'art britannique de Yale
Ode for Music, Performed in the Senate-House; Title Page, William Blake, between 1797 and 1798William BlakeOde for Music, Performed in the Senate-House; Title Pagebetween 1797 and 1798Centre d'art britannique de Yale
"And that toward Eden, four..." (Plate 13), William Blake, 1804 to 1820William Blake"And that toward Eden, four..." (Plate 13)1804 to 1820Centre d'art britannique de Yale
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