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Où voir des œuvres et quand le musée est ouvert.

Collections : Art Institute of Chicago, Centre d'art britannique de Yale, Cleveland Museum of Art, Cooper Hewitt, Galerie Tretiakov, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, musée national d'art asiatique, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, National Portrait Gallery, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Yale University Art Gallery, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées), Wikidata (44 musées), Paris Musées (12 musées), Joconde, la base des musées du ministère de la Culture (495 musées) et le Catalogo generale dei Beni Culturali du ministère italien de la Culture (25 musées). Les images appartiennent à leurs ayants droit.

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Catalogue

Dessins et aquarelles

506 509 œuvres de 314 musées703 exposées en ce momentEffacer

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Technique
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Europe a Prophecy; Title Page (Plate 2), William Blake, 1794William BlakeEurope a Prophecy; Title Page (Plate 2)1794Centre d'art britannique de Yale
Chapter IV, "Ages on ages roll'd over him..." (Plate 13), William Blake, 1794William BlakeChapter IV, "Ages on ages roll'd over him..." (Plate 13)1794Centre d'art britannique de Yale
Chapter IV, "Los smitten with astonishment..." (Plate 12), William Blake, 1794William BlakeChapter IV, "Los smitten with astonishment..." (Plate 12)1794Centre d'art britannique de Yale
"The Ox in the slaughter house moans..." (Plate 26), William Blake, 1794William Blake"The Ox in the slaughter house moans..." (Plate 26)1794Centre d'art britannique de Yale
A Woody Landscape, William Blake, ca. 1801William BlakeA Woody Landscapeca. 1801Centre d'art britannique de Yale
"But when they saw Albion fall'n..." (Plate 20), William Blake, 1804 to 1820William Blake"But when they saw Albion fall'n..." (Plate 20)1804 to 1820Centre d'art britannique de Yale
An Angel with a Trumpet, William Blake, between 1805 and 1808William BlakeAn Angel with a Trumpetbetween 1805 and 1808Centre d'art britannique de Yale
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5), William Blake, between 1797 and 1798William Blake"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)between 1797 and 1798Centre d'art britannique de Yale
"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14), William Blake, 1794William Blake"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)1794Centre d'art britannique de Yale
Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38, William Blake, 1819William BlakeSheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 381819Centre d'art britannique de Yale
"Albions Angel rose upon the Stone of Night..." (Plate 12), William Blake, 1794William Blake"Albions Angel rose upon the Stone of Night..." (Plate 12)1794Centre d'art britannique de Yale
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99), William Blake, between 1797 and 1798William Blake"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)between 1797 and 1798Centre d'art britannique de Yale
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113), William Blake, between 1797 and 1798William Blake"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)between 1797 and 1798Centre d'art britannique de Yale
Albion's Angel; Frontispiece (Plate 1), William Blake, 1793William BlakeAlbion's Angel; Frontispiece (Plate 1)1793Centre d'art britannique de Yale
Laughing Song (Plate 28), William Blake, 1789William BlakeLaughing Song (Plate 28)1789Centre d'art britannique de Yale
"At the chapel-door stand sentry... (Design 31), William Blake, between 1797 and 1798William Blake"At the chapel-door stand sentry... (Design 31)between 1797 and 1798Centre d'art britannique de Yale
"Silent as despairing love, and strong as jealousy..." (Plate 4), William Blake, 1793William Blake"Silent as despairing love, and strong as jealousy..." (Plate 4)1793Centre d'art britannique de Yale
Chapter II, "Muster around the bleak desarts..." (Plate 6), William Blake, 1794William BlakeChapter II, "Muster around the bleak desarts..." (Plate 6)1794Centre d'art britannique de Yale
Los Falls through Fire (Plate 21), William Blake, 1794William BlakeLos Falls through Fire (Plate 21)1794Centre d'art britannique de Yale
The Little Black Boy (Plate 30), William Blake, 1789William BlakeThe Little Black Boy (Plate 30)1789Centre d'art britannique de Yale
"O'er thy country hangs The scourge of Heav'n..." (Design 59), William Blake, between 1797 and 1798William Blake"O'er thy country hangs The scourge of Heav'n..." (Design 59)between 1797 and 1798Centre d'art britannique de Yale
The Laocoön, for Rees's Cyclopædia, William Blake, 1815William BlakeThe Laocoön, for Rees's Cyclopædia1815Centre d'art britannique de Yale
The Divine Image (Plate 24), William Blake, 1789William BlakeThe Divine Image (Plate 24)1789Centre d'art britannique de Yale
Study for a Destroying Deity, William Blake, 1820 to 1825William BlakeStudy for a Destroying Deity1820 to 1825Centre d'art britannique de Yale
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10), William Blake, 1793William Blake"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)1793Centre d'art britannique de Yale
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43), William Blake, between 1797 and 1798William Blake"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)between 1797 and 1798Centre d'art britannique de Yale
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4), William Blake, 1789William BlakeI, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)1789Centre d'art britannique de Yale
Praying Child and Howling Dog (Plate 25), William Blake, 1794William BlakePraying Child and Howling Dog (Plate 25)1794Centre d'art britannique de Yale
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61), William Blake, between 1797 and 1798William Blake"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)between 1797 and 1798Centre d'art britannique de Yale
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8), William Blake, 1789William BlakeIV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)1789Centre d'art britannique de Yale
Famine (Plate 8), William Blake, 1794William BlakeFamine (Plate 8)1794Centre d'art britannique de Yale
"In living creations appear'd..." (Plate 8), William Blake, 1794William Blake"In living creations appear'd..." (Plate 8)1794Centre d'art britannique de Yale
"We the reins to slaughter give..." (Design 73), William Blake, between 1797 and 1798William Blake"We the reins to slaughter give..." (Design 73)between 1797 and 1798Centre d'art britannique de Yale
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20), William Blake, 1794William BlakeChapter V, "Thus the Eternal Prophet was divided..." (Plate 20)1794Centre d'art britannique de Yale
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107), William Blake, between 1797 and 1798William BlakeThe plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)between 1797 and 1798Centre d'art britannique de Yale
Nurse's Song (Plate 22), William Blake, 1789William BlakeNurse's Song (Plate 22)1789Centre d'art britannique de Yale
Chapter VIII, "Of life on his forsaken mountains..." (Plate 24), William Blake, 1794William BlakeChapter VIII, "Of life on his forsaken mountains..." (Plate 24)1794Centre d'art britannique de Yale
Epitaph on Mrs. Clarke; Title Page, William Blake, between 1797 and 1798William BlakeEpitaph on Mrs. Clarke; Title Pagebetween 1797 and 1798Centre d'art britannique de Yale
Songs of Innocence, Frontispiece (Plate 1), William Blake, 1789William BlakeSongs of Innocence, Frontispiece (Plate 1)1789Centre d'art britannique de Yale
The Prophetess Rising from Her Grave (Design 81), William Blake, between 1797 and 1798William BlakeThe Prophetess Rising from Her Grave (Design 81)between 1797 and 1798Centre d'art britannique de Yale
Urizen Swims through Dark Waters (Plate 7), William Blake, 1794William BlakeUrizen Swims through Dark Waters (Plate 7)1794Centre d'art britannique de Yale
Introduction (Plate 34), William Blake, 1794William BlakeIntroduction (Plate 34)1794Centre d'art britannique de Yale
"Hie thee hence, and boast at home..." (Design 85), William Blake, between 1797 and 1798William Blake"Hie thee hence, and boast at home..." (Design 85)between 1797 and 1798Centre d'art britannique de Yale
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21), William Blake, between 1797 and 1798William Blake"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)between 1797 and 1798Centre d'art britannique de Yale
"Cytherea's Day..." (Design 45), William Blake, between 1797 and 1798William Blake"Cytherea's Day..." (Design 45)between 1797 and 1798Centre d'art britannique de Yale
Five Visionary Heads of Women, William Blake, 1819 to 1820William BlakeFive Visionary Heads of Women1819 to 1820Centre d'art britannique de Yale
Chapter III, "As the stars are apart from the earth..." (Plate 9), William Blake, 1794William BlakeChapter III, "As the stars are apart from the earth..." (Plate 9)1794Centre d'art britannique de Yale
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65), William Blake, between 1797 and 1798William Blake"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)between 1797 and 1798Centre d'art britannique de Yale
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