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  1. Collection/
  2. National Gallery of Art/
  3. William Walton
William Walton, Alice Neel, 1967

William Walton

1967 · Painting

Notice

1967 · à 67 ans
19001984
Numéro d’inventaire
2005.124.1

Autres œuvres : Alice Neel

Toutes les œuvres

Sous le même toit : National Gallery of Art

Page du musée

Sur le même thème · Seated

Toutes les œuvres sur ce thème
Alice Neel, portraitAlice NeelÉtats-Unis, 1900–1984

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

National Gallery of Art

Washington, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 3 jours
Dans cet état depuis
19 août 2026
Source
Le musée
Sur la cartePage du musée

Ce qu’elle montre

SeatedWalton, William

Au catalogue

PeinturesHuilePeinture américaineArt d’après-guerreXXe siècleAmerican

Sources

  • National Gallery of Art
  • Image : National Gallery of Art — © the artist or rights holder
Kenneth Fearing, Alice Neel, 1935

Kenneth Fearing

1935 · Museum of Modern Art

Hartley, Alice Neel, 1966

Hartley

1966 · National Gallery of Art

Loneliness, Alice Neel, 1970

Loneliness

1970 · National Gallery of Art

Jackie Curtis and Ritta Redd, Alice Neel, 1970

Jackie Curtis and Ritta Redd

1970 · Cleveland Museum of Art

Andy Warhol, Alice Neel, 1970

Andy Warhol

1970 · Whitney Museum of American Art

The Fall of the House of Usher, Alice Neel, 1985 (Reproduced drawings executed 1927-1984)

The Fall of the House of Usher

1985 (Reproduced drawings executed 1927-1984) · Non exposée · Museum of Modern Art

Well Baby Clinic, Alice Neel, 1928–29

Well Baby Clinic

1928–29 · Non exposée · Minneapolis Institute of Art

Christopher Lazare, Alice Neel, 1932

Christopher Lazare

1932 · Non exposée · Museum of Modern Art

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Portrait de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Jeune Fille en blanc, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Ferme en Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

George Moore in the Artist's Garden, Edouard Manet, c. 1879

Édouard Manet

George Moore in the Artist's Garden, c. 1879

National Gallery of Art

My father Louis Ginsberg in his velvet Armchair, last year of his life 1976. See "Don't Grow Old.", Allen Ginsberg, 1976, printed later

Allen Ginsberg

My father Louis Ginsberg in his velvet Armchair, last year of his life 1976. See "Don't Grow Old.", 1976, printed later

Non exposée · National Gallery of Art

Untitled, Allen Ginsberg, 1964

Allen Ginsberg

Untitled, 1964

Non exposée · National Gallery of Art

Willem De Kooning in his studio Springs Long Island. I visited with my stepmother, Edith, his fly unbuttoned, he showed me his brushes lined up neatly on a table, "I wash them, clean them all myself," and said of his new canvases, "I'm just a sign painter.", Allen Ginsberg, 1985

Allen Ginsberg

Willem De Kooning in his studio Springs Long Island. I visited with my stepmother, Edith, his fly unbuttoned, he showed me his brushes lined up neatly on a table, "I wash them, clean them all myself," and said of his new canvases, "I'm just a sign painter.", 1985

Non exposée · National Gallery of Art

Shig Murao, up late night reading in his middle bedroom, he'd had a stroke just after mastering Shakuhachi flute, I stay in his Grant Street North Block apartment when visiting San Francisco, his front room looks down on noisy street & bars. He'd managed City Lights Bookstore, part owner, 1950s all thru the sixties, Allen Ginsberg, 1985

Allen Ginsberg

Shig Murao, up late night reading in his middle bedroom, he'd had a stroke just after mastering Shakuhachi flute, I stay in his Grant Street North Block apartment when visiting San Francisco, his front room looks down on noisy street & bars. He'd managed City Lights Bookstore, part owner, 1950s all thru the sixties, 1985

Non exposée · National Gallery of Art

Robert Frank at his kitchen table, Bleeker Street house, casual visit, November 8, 1988, New York City., Allen Ginsberg, 1988, printed 1990

Allen Ginsberg

Robert Frank at his kitchen table, Bleeker Street house, casual visit, November 8, 1988, New York City., 1988, printed 1990

Non exposée · National Gallery of Art

Bill Reck in his coldwater flat Lower East Side circa 1953, one of eminent Subterraneans (Vide Frity Nichols); he entered J.K.'s Book of Dreams as Dick Beck. outside his window off Bowery and East 2'd Street, a cemetery, he wrote "Love is a lime green tree," last line of poem looking out, Allen Ginsberg, 1953, printed later

Allen Ginsberg

Bill Reck in his coldwater flat Lower East Side circa 1953, one of eminent Subterraneans (Vide Frity Nichols); he entered J.K.'s Book of Dreams as Dick Beck. outside his window off Bowery and East 2'd Street, a cemetery, he wrote "Love is a lime green tree," last line of poem looking out, 1953, printed later

Non exposée · National Gallery of Art

Self-Portrait on my seventieth birthday in Borsalino hat and black cashmere-silk scarf from Milan & Dublin Thornproof-tweed suit, Oleg Cassini tie from Goodwill shirt same source, kitchen window mid-day, I stayed home & worked on _Selected Poems 1947 – ’95_ proofs after returning from Walker Art Centre reading — Beat exhibition weekend. Monday, June 3, 1996, N.Y., Allen Ginsberg, 1996

Allen Ginsberg

Self-Portrait on my seventieth birthday in Borsalino hat and black cashmere-silk scarf from Milan & Dublin Thornproof-tweed suit, Oleg Cassini tie from Goodwill shirt same source, kitchen window mid-day, I stayed home & worked on _Selected Poems 1947 – ’95_ proofs after returning from Walker Art Centre reading — Beat exhibition weekend. Monday, June 3, 1996, N.Y., 1996

Non exposée · National Gallery of Art