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  1. Collection/
  2. Minneapolis Institute of Art/
  3. Wagtails
Wagtails, Kenkō Shōkei, early 16th century
KKenkō ShōkeiJapon, 1478–1506

Wagtails

early 16th century · Painting

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Minneapolis Institute of Art

Minneapolis, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
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Dans cet état depuis
25 sept. 2026
Source
Le musée
Sur la cartePage du musée

À propos du tableau

Kenkō Shōkei was both a Zen priest and a highly skilled ink painter who spent most of his career at the major Zen monastery Kenchōji in the city of Kamakura. Here he depicted a pair of wagtails on branches in strikingly contrasting poses. One stares down to the right as if aiming at some prey, while the other stands straight with a glance to the left. Shōkei painted his birds using a rapid brush technique called “boneless” (that is, without outlines), a method seen as particularly suitable for Zen themes. This combination of compositional device and technique suggests that these wagtails once flanked a third painting of a Zen deity or patriarch as part of a devotional triptych. Pictures of birds or flowers often served this purpose in Zen painting. But Shōkei’s original format seems to have been radically transformed by some later owner.

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Not only is the central painting missing but the vertical seams on each painting suggest that a previous owner cut up the original paintings to create two large horizontal compositions. The new format was less suitable for a Zen temple but fit the wide display alcove typical of grand residences. This type of conversion of a once sacred image to a secular one was not uncommon in Japan after the 1500s.

Minneapolis Institute of Art

Notice

Numéro d’inventaire
2015.79.3.1

Au catalogue

PeinturesEncrePeinture japonaiseJapon

Sources

  • Minneapolis Institute of Art
  • Image : Minneapolis Institute of Art — public domain

Autres œuvres : Kenkō Shōkei

Toutes les œuvres
Wagtails, Kenkō Shōkei, early 16th century

Wagtails

early 16th century · Non exposée · Minneapolis Institute of Art

Kingfisher Perched above a Stream, Kenkō Shōkei, late 1400s

Kingfisher Perched above a Stream

late 1400s · Non exposée · Cleveland Museum of Art

Landscape, Kenkō Shōkei, late 1400s–early 1500s

Landscape

late 1400s–early 1500s · Non exposée · Cleveland Museum of Art

Encounter of Yun-men Wen-yen and Fa-yen Wen-i, Kenko Shokei, 1473-1523

Encounter of Yun-men Wen-yen and Fa-yen Wen-i

1473-1523 · musée national d'art asiatique

Landscape: mountains, stream and bridge, Kenko Shokei, late 15th-early 16th century

Landscape: mountains, stream and bridge

late 15th-early 16th century · musée national d'art asiatique

View of Xiao Xiang, Kenkō Shōkei, c. 1478–1506

View of Xiao Xiang

c. 1478–1506 · Non exposée · Cleveland Museum of Art

Lonely Temple and Towering Cliff, Kenkō Shōkei, c. 1480

Lonely Temple and Towering Cliff

c. 1480 · Non exposée · Cleveland Museum of Art

Sous le même toit : Minneapolis Institute of Art

Page du musée
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Goya et son médecin, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34