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Virtual Spaces: Corners 1, Cildo Meireles, 1967-68/1983
Cildo Meireles, portraitCildo MeirelesBrésil, 1948

Virtual Spaces: Corners 1

1967-68/1983 · Sculpture

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Pas exposée actuellement

Où est « Virtual Spaces: Corners 1 » aujourd’hui ? Collection: Museum of Modern Art, New York. Pas exposée actuellement. Vérifié 22 septembre 2026.

Museum of Modern Art

New York, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

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Source
Le musée
Sur la cartePage du musée

Notice

Numéro d’inventaire
781.2012.a-g

Au catalogue

SculptureBoisArt d’après-guerreXXe siècle

Sources

Autres œuvres : Cildo Meireles

Toutes les œuvres
Insertions into Ideological Circuits: Coca-Cola Project, Cildo Meireles, 1970 (ongoing)

Insertions into Ideological Circuits: Coca-Cola Project

1970 (ongoing) · Non exposée · Art Institute of Chicago

Insertions into Ideological Circuits: Banknote Project (Inserções em circuitos ideológicos: Projeto Cédula), Cildo Meireles, 1970

Insertions into Ideological Circuits: Banknote Project (Inserções em circuitos ideológicos: Projeto Cédula)

1970 · Non exposée · Museum of Modern Art

Insertions into Ideological Circuits: Coca-Cola Project (Inserções em Circuitos Ideológicos: Projeto Coca-Cola), Cildo Meireles, 1970

Insertions into Ideological Circuits: Coca-Cola Project (Inserções em Circuitos Ideológicos: Projeto Coca-Cola)

1970 · Non exposée · Museum of Modern Art

To Be Curved with the Eyes, Cildo Meireles, 1970/78

To Be Curved with the Eyes

1970/78 · Non exposée · Museum of Modern Art

Insertions into Ideological Circuits: Banknote Project (Inserções em circuitos ideológicos: Projeto Cédula), Cildo Meireles, 1970

Insertions into Ideological Circuits: Banknote Project (Inserções em circuitos ideológicos: Projeto Cédula)

1970 · Non exposée · Museum of Modern Art

Zero Cruzeiro, Cildo Meireles, 1974–78

Zero Cruzeiro

1974–78 · Non exposée · Museum of Modern Art

Insertions into Ideological Circuits: Banknote Project: Who Killed Herzog? (Inserções em circuitos ideológicos: Projeto Cédula: Quem matou Herzog?), Cildo Meireles, 1975

Insertions into Ideological Circuits: Banknote Project: Who Killed Herzog? (Inserções em circuitos ideológicos: Projeto Cédula: Quem matou Herzog?)

1975 · Non exposée · Museum of Modern Art

The Difference between the Circle and the Sphere Is the Weight, Cildo Meireles, 1976

The Difference between the Circle and the Sphere Is the Weight

1976 · Non exposée · Museum of Modern Art

Aussi exposées : Museum of Modern Art

Page du musée
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, 1889

Vincent van Gogh

La Nuit étoilée, 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950