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  1. Collection/
  2. Victoria and Albert Museum/
  3. Virgin and Child
Virgin and Child, Donatello, 1400-1450
Donatello, portraitDonatelloItalie, 1386–1466

Virgin and Child

1400-1450 · Relief · 52.1 × 47.3 cm

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Victoria and Albert Museum

Londres, Royaume-Uni

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 13 jours
Dans cet état depuis
25 sept. 2026
Source
Le musée
Sur la cartePage du musée

À propos de la sculpture

This relief represents the Virgin and Child, and is made after Dontatello in ca. 1400-1450, in Italy.

The relief is an enlarged copy of the so-called Madonna of the Clouds of Donatello in the Boston Museum of Fine Arts (H. 33.5 cm; W. 33.2 cm). The scheme differs from that of Donatello's original in that it is slightly extended at the top and sides, and slightly reduced at the base.

Victoria and Albert Museum

Notice

1400-1450
13861466
Numéro d’inventaire
A.36-1953

Ce qu’elle montre

AngelVirgin and Child

Au catalogue

SculptureMarbreRenaissanceXVe siècleFlorence

Sources

  • Victoria and Albert Museum
  • Image : Victoria and Albert Museum — © Victoria and Albert Museum, London

Pendant ce temps, chez Donatello

La vie entière
  1. c. 1400

    Friendship with Brunelleschi in Pistoia

    In Pistoia the thirteen- or fourteen-year-old Donatello helped Filippo Brunelleschi with the silver figures of the altar of Saint James. From then on the two masters remained friends for life.

  2. 1402–1404

    A trip to Rome to study antiquity

    From 1402 to 1404 Donatello and Brunelleschi visited Rome to study the “antiques”; according to Vasari they dug on the Roman Forum and were almost killed after being taken for treasure hunters. Donatello drew fragments of ancient statues.

  3. 1404–1407

    Apprentice and assistant in Ghiberti's workshop

    In 1404–1407 Donatello is recorded as an apprentice, and for the last few months as a salaried assistant, in Lorenzo Ghiberti's studio, apparently working on the bronze doors of the Florence Baptistery.

  4. 1423

    “The Feast of Herod” and the start of his work in bronze

    By 1423 Ghiberti had not even started work on the reliefs for the Siena Baptistery font, and one of them, “The Feast of Herod”, was given to Donatello instead. That year marks the start of his documented work in bronze: he also received commissions for “Saint Louis of Toulouse” and a reliquary bust of Saint Rossore.

  5. c. 1425

    Partnership with Michelozzo

    Around 1425 Donatello entered into a formal partnership with Michelozzo, an architect and sculptor about ten years younger: Donatello had too much work and was poor at organising a workshop, at which Michelozzo excelled, while Michelozzo wanted to extract himself from an arrangement with Ghiberti. Both had very good relations with the Medici.

  6. 1443

    Called to Padua: the Gattamelata monument

    In 1443 the heirs of the condottiere Erasmo da Narni, known as Gattamelata, who had died that year, called Donatello to Padua. He spent about ten years there, with a studio near the Santo and several assistants.

Autres œuvres : Donatello

Toutes les œuvres
Bas-relief : la Crucifixion, Di Niccolo di Betto Bardi, Donato dit Donatello, Renaissance (Occident)

Bas-relief : la Crucifixion

Renaissance (Occident) · Musée du Louvre

La Vierge adorant l'Enfant, dite Madone Piot, Di Niccolo di Betto Bardi, Donato dit Donatello, 1400 - 1500

La Vierge adorant l'Enfant, dite Madone Piot

1400 - 1500 · Musée du Louvre

Madonna and Child, Donatello and Workshop, c.1420/1425

Madonna and Child

c.1420/1425 · National Gallery of Art

La Vierge et l'Enfant, Di Niccolo di Betto Bardi, Donato dit Donatello, vers 1445 - 1455

La Vierge et l'Enfant

vers 1445 - 1455 · Musée du Louvre

Ascension with Christ giving the Keys to St Peter, Donatello, ca. 1428-1430

Ascension with Christ giving the Keys to St Peter

ca. 1428-1430 · Victoria and Albert Museum

Virgin and Child with Four Angels (Chellini Madonna), Donatello, ca. 1450

Virgin and Child with Four Angels (Chellini Madonna)

ca. 1450 · Victoria and Albert Museum

Flagellation, Crucifixion and Predella (Forzori Altar), Donatello, ca. 1450

Flagellation, Crucifixion and Predella (Forzori Altar)

ca. 1450 · Victoria and Albert Museum

Lamentation over the Dead Christ, Donatello, ca. 1455-1460

Lamentation over the Dead Christ

ca. 1455-1460 · Victoria and Albert Museum

Sous le même toit : Victoria and Albert Museum

Page du musée
Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

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Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Sur le même thème · Angel

Toutes les œuvres sur ce thème
Madonna and Child Enthroned with Saints, Raphael, ca. 1504

Raphael

Retable Colonna, ca. 1504

Metropolitan Museum of Art

Ia Orana Maria (Hail Mary), Paul Gauguin, 1891

Paul Gauguin

Ia Orana Maria (Hail Mary), 1891

Metropolitan Museum of Art

The Adoration of the Magi, Giotto di Bondone, possibly ca. 1320

Giotto

The Adoration of the Magi, possibly ca. 1320

Metropolitan Museum of Art

Diptyque de la Crucifixion et du Jugement dernier, Jan van Eyck, ca. 1436–38

Jan van Eyck

Diptyque de la Crucifixion et du Jugement dernier, ca. 1436–38

Metropolitan Museum of Art

Heiliger Hieronymus, Caravaggio

Caravaggio

Heiliger Hieronymus

Musée Herzog Anton Ulrich

The Holy Family, Elisha Kirkall after Raphael, early 18th century

Raphael

The Holy Family, early 18th century

Non exposée · National Gallery of Art

The Vision of Saint Helena, Marcantonio Raimondi possibly after Raphael, 1515-1520

Raphael

The Vision of Saint Helena, 1515-1520

Non exposée · National Gallery of Art

Two Sibyls and an Angel, Giovanni Antonio da Brescia, after Raphael, c. 1520s

Raphael

Two Sibyls and an Angel, c. 1520s

Non exposée · National Gallery of Art