Anthony van DyckFlandre, 1599–1641Vier Hufe eines Pferdes
Peut-on la contempler ?
Inconnu
Brunswick, Allemagne
Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.
- Dans cet état depuis
- Source
- Le musée
Notice
Ce qu’elle montre
Au catalogue
Sources
- Musée Herzog Anton Ulrich
- Image : Musée Herzog Anton Ulrich — CC BY-NC-SA 4.0
Pendant ce temps, chez Anthony van Dyck
La vie entièrefrom 1617
Beginning of Work with Rubens
From 1617 Van Dyck collaborated for a long period with Peter Paul Rubens, whose pupil he became, giving up his independent workshop; Rubens spoke of him as his best pupil.
1620
First Trip to London to the Court of James I
In October 1620, at the age of twenty-one, Van Dyck moved to London to the court of King James I at the urging of the Duke of Buckingham and the Earl of Arundel; he received an annual pension of one hundred pounds sterling from the king.
20 November 1621
Departure for Italy, Arrival in Genoa
In 1621 Van Dyck decided to go to Italy; Rubens supplied him with funds and letters of introduction. On 20 November 1621 he arrived in Genoa and remained in Italy for six years, where his fame as a portraitist was consolidated.
5 July 1632
Principal Painter to King Charles I
On 5 July 1632 Charles I officially appointed Van Dyck principal painter to the king, guaranteeing an annual income of two hundred pounds sterling; the king gave him a large house with a garden on the banks of the Thames.
27 février 1640
Married: Mary Ruthven
9 décembre 1641
Died
