Великий постриг, Mikhail Nesterov, 1888
Mikhail Nesterov, portraitMikhail Nesterov1862–1942

Великий постриг

1888 · Drawing · 18.2 × 25.5 cm

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Où est « Великий постриг » aujourd’hui ? Collection: Musée russe, Saint-Pétersbourg. Inconnu.

Musée russe

Saint-Pétersbourg, Russie

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Numéro d’inventaire
Р-6191

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Au catalogue

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  • Musée russe
  • Image : Musée russe — © State Russian Museum

Dans la vie de Mikhail Nesterov

La vie entière
  1. 1874–1886 · Formation

    Moscow School of Painting, Sculpture and Architecture

  2. May 1886

    Daughter Olga is born; his wife dies

    In May 1886 Nesterov's daughter Olga was born and his wife Maria Ivanovna died. He later carried the image of his beloved wife into many of his works.

  3. 1889

    “The Hermit” at the 17th Peredvizhniki show

    Shown at the 17th Peredvizhniki exhibition, “The Hermit” caused a stir and placed the young Nesterov among the most outstanding painters of the day; the word “mood” recurred in almost every review. Pavel Tretyakov bought the painting.

  4. May 1889

    First journey abroad

    With the money from selling “The Hermit” to Tretyakov, Nesterov set off on his first trip abroad: Warsaw, Vienna, Venice, Florence, Rome, Naples with Pompeii and Capri, Paris, Munich, Berlin, Dresden. He brought back dozens of studies on lemon-wood panels, most of them from Capri; his travel diary (20 April – 24 July 1889) is kept in the Presidential Library.

  5. 1890

    Invited to paint St Volodymyr's Cathedral

    Professor Adrian Prakhov, who was in charge of decorating St Volodymyr's Cathedral in Kiev, saw “The Youth Bartholomew” and invited its author. After some hesitation Nesterov agreed — and ended up devoting more than 22 years to church murals and icons.

  6. 1890

    “The Vision to the Youth Bartholomew” causes a sensation

    The painting, for which Nesterov made landscape studies near the Trinity-Sergius Lavra while living in the village of Komyakino near Khotkovo, provoked the most conflicting opinions, became the sensation of the 18th Peredvizhniki exhibition and was bought by Tretyakov. To the end of his days the artist considered it his finest work.

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