Trees at Hampstead: The Path to Church, John Constable, 1821
John Constable, portraitJohn ConstableRoyaume-Uni, 1776–1837

Trees at Hampstead: The Path to Church

1821 · Oil painting · 91.4 × 72.4 cm

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Où est « Trees at Hampstead: The Path to Church » aujourd’hui ? Victoria and Albert Museum, Paintings, Room 87, The Edwin and Susan Davies Galleries, Londres. Oui, exposée actuellement. Vérifié 25 septembre 2026.

Victoria and Albert Museum

Londres, Royaume-Uni

SallePaintings, Room 87, The Edwin and Susan Davies Galleries

Fermé· ouvre à 10:00

Présentée au public.

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Le musée

À propos du tableau

The artist described the view as 'a natural (but highly elegant) group of trees, ashes, elms, & oak &c - which will be of quite as much service as if I had bought the field and hedge row'. The spire of Hampstead parish church can be seen at the bottom left. Constable and his wife lie buried in the graveyard.

Victoria and Albert Museum

Notice

Numéro d’inventaire
1630-1888

Ce qu’elle montre

Au catalogue

Sources

Dans la vie de John Constable

La vie entière
  1. 1821

    “The Hay Wain” at the Royal Academy

    The picture, shown as “Landscape: Noon”, found no buyer, but it was seen by the painter Théodore Géricault and the writer Charles Nodier. According to Delacroix, Géricault went back to France quite stunned and invited Constable to Paris, while Nodier urged French artists to look to nature rather than to trips to Rome.

  2. 1821

    Son born: Charles Golding Constable

  3. 1821

    “I should paint my own places best”

    In a letter to his friend John Fisher in 1821 Constable wrote that he should paint his own places best, and that painting is but another word for feeling. The Dedham Vale around his home came to be known as “Constable Country”.

  4. 23 October 1821

    To Fisher: “I have done a good deal of skying”

    Constable wrote to Fisher that he had done a good deal of skying and was determined to conquer all the difficulties that remained. He made cloud studies, noting the weather, direction of light and time of day on the back, and held the sky to be the key note of a landscape, drawing on the meteorologist Luke Howard’s classification of clouds.

  5. 1822/1823

    Daughter born: Isabel Constable

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