ART WIKI32 963 en salle
CarteCollectionArtistesMuséesExpositionsJournal
Connexion

ART WIKI

Où est accroché le chef-d’œuvre, et quand on vous laisse entrer.

Collections : Art Institute of Chicago, Cleveland Museum of Art, Galerie Tretiakov, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, musée national d'art asiatique, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, National Portrait Gallery, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées), Wikidata (6 musées), Paris Musées (12 musées) et Joconde, la base des musées du ministère de la Culture (495 musées). Les images appartiennent à leurs ayants droit.

Rubriques

  • Carte
  • Recherche
  • Collection
  • Chefs-d’œuvre
  • Exposées en ce moment
  • Artistes

Et aussi

  • Musées et galeries
  • Expositions
  • Journal
  • D’où viennent les données
  • Confidentialité et cookies
AccueilCarteCatalogue
  1. Collection/
  2. National Gallery of Art/
  3. From Glacier Point
From Glacier Point, Ansel Adams, 1927
Ansel Adams, portraitAnsel AdamsÉtats-Unis, 1902–1984

From Glacier Point

1927 · Photograph

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

National Gallery of Art

Washington, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 3 jours
Dans cet état depuis
19 août 2026
Source
Le musée
Sur la cartePage du musée

Notice

1927 · à 25 ans
19021984
Numéro d’inventaire
2006.133.1

Ce qu’elle montre

LandscapeUnited StatesArbreYosemite National Park

Au catalogue

PhotographiesTirage gélatino-argentiqueModernismeXXe siècleAmerican

Sources

  • National Gallery of Art
  • Image : National Gallery of Art — © the artist or rights holder

Pendant ce temps, chez Ansel Adams

La vie entière
  1. 1920s

    Cedric Wright, friend and mentor

    In his twenties Adams has many musical friends, among them the violinist and amateur photographer Cedric Wright, who becomes his best friend and philosophical mentor; their shared philosophy comes from Edward Carpenter's “Towards Democracy,” which endorses the pursuit of beauty in life and art. For years Adams carries a pocket edition of the book with him.

  2. by 1925

    Rejecting pictorialism for good

    In the mid-1920s, when pictorialism with its soft focus and diffused light is the fashion, Adams experiments with its techniques and with the bromoil process, and gives up hand-coloring in 1923. By 1925 he has rejected pictorialism altogether in favor of a more realistic approach: sharp focus, heightened contrast, precise exposure and darkroom craftsmanship.

  3. 1927

    Albert Bender and the first portfolio

    In 1927 Adams begins working with the San Francisco insurance magnate and arts patron Albert Bender, who helps him produce his first portfolio in the new manner, “Parmelian Prints of the High Sierras,” which earns nearly $3,900. At Bender's invitation Adams joins the Roxburghe Club, an association devoted to fine printing and high standards in the book arts, and the wealthy patrons who bought the portfolio soon commission portraits from him.

  4. 1928

    Marriage to Virginia Best

    In 1928 Adams marries Virginia Best, the daughter of the Yosemite landscape painter Harry Best, on whose old square piano he had practised in the studio in the valley. To save money the newlyweds move in with his parents, and the following year they have a home built next door, connected to the older house by a hallway.

Autres œuvres : Ansel Adams

Toutes les œuvres
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Rock, Bakers Beach, San Francisco, California

c. 1931 · Museum of Modern Art

Bridgeport Valley, Flooded Meadow, Ansel Adams, n.d.

Bridgeport Valley, Flooded Meadow

n.d. · Non exposée · Museum of Modern Art

Leaves, near Bishop, California, Ansel Adams, n.d.

Leaves, near Bishop, California

n.d. · Non exposée · Museum of Modern Art

From Glacier Point, Yosemite, Ansel Adams, n.d.

From Glacier Point, Yosemite

n.d. · Non exposée · Museum of Modern Art

Cliffs in Paradise Valley, Ansel Adams, n.d.

Cliffs in Paradise Valley

n.d. · Non exposée · Museum of Modern Art

Sierra Juniper, Ansel Adams, n.d.

Sierra Juniper

n.d. · Non exposée · Museum of Modern Art

Door, Abandoned Church, Sierra Foothills, Ansel Adams, n.d.

Door, Abandoned Church, Sierra Foothills

n.d. · Non exposée · Museum of Modern Art

Rocks, Sierra Foothills, California, Ansel Adams, n.d.

Rocks, Sierra Foothills, California

n.d. · Non exposée · Museum of Modern Art

Sous le même toit : National Gallery of Art

Page du musée
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Portrait de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Jeune Fille en blanc, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Ferme en Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Sur le même thème · Landscape

Toutes les œuvres sur ce thème
Wheat Field with Cypresses, Vincent van Gogh, 1889

Vincent van Gogh

Wheat Field with Cypresses, 1889

Metropolitan Museum of Art

Houses on the Achterzaan, Claude Monet, 1871

Claude Monet

Houses on the Achterzaan, 1871

Metropolitan Museum of Art

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

Paysage avec un pont de pierre, c. 1638

Rijksmuseum Amsterdam

Hiëronymus lezend in een Italiaans landschap, Rembrandt van Rijn, c. 1653

Rembrandt van Rijn

Hiëronymus lezend in een Italiaans landschap, c. 1653

Rijksmuseum Amsterdam

Oak Tree, Snowstorm, Yosemite National Park, California, Ansel Adams, 1948, printed 1981

Ansel Adams

Oak Tree, Snowstorm, Yosemite National Park, California, 1948, printed 1981

Non exposée · National Gallery of Art

High Country Crags and Moon, Sunrise, Kings Canyon National Park, California, Ansel Adams, c. 1935, printed 1979

Ansel Adams

High Country Crags and Moon, Sunrise, Kings Canyon National Park, California, c. 1935, printed 1979

Non exposée · National Gallery of Art

Canyon de Chelly National Monument, Arizona, Ansel Adams, 1942, printed 1981

Ansel Adams

Canyon de Chelly National Monument, Arizona, 1942, printed 1981

Non exposée · National Gallery of Art

High Country Crags and Moon, Sunrise, Kings Canyon National Park, California, Ansel Adams, c. 1935, printed 1979

Ansel Adams

High Country Crags and Moon, Sunrise, Kings Canyon National Park, California, c. 1935, printed 1979

Non exposée · National Gallery of Art