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  1. Collection/
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  3. Toward Dark
Toward Dark, Helen Frankenthaler, 1988
Helen Frankenthaler, portraitHelen FrankenthalerÉtats-Unis, 1928–2011

Toward Dark

1988 · Painting

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Museum of Modern Art

New York, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 8 jours
Source
Le musée
Sur la cartePage du musée

Notice

1988 · à 60 ans
19282011
Numéro d’inventaire
170.2023

Au catalogue

PeinturesAcryliquePeinture américaineArt contemporainXXe siècle

Sources

  • Museum of Modern Art
  • Image : Museum of Modern Art — © the artist or rights holder

Pendant ce temps, chez Helen Frankenthaler

La vie entière
  1. 1985–1992

    The National Council on the Arts

    From 1985 to 1992 she serves, as a presidential appointee, on the National Council on the Arts, which advises the chairman of the National Endowment for the Arts.

  2. 1986

    The New York City Mayor’s Award for Arts and Culture

    She receives the New York City Mayor’s Award of Honor for Arts and Culture.

  3. 1989

    A New York Times commentary on NEA funding

    In a commentary for The New York Times she writes that censorship and government interference in the directions and standards of art are dangerous and not part of the democratic process, while controversial grants to Andres Serrano, Robert Mapplethorpe and others reflect a trend of supporting work of increasingly dubious quality. She thus takes a highly public stance in the late-1980s “culture wars”.

  4. 1989–1990

    Painting retrospective: Fort Worth and MoMA

    The retrospective “Helen Frankenthaler: a Painting Retrospective” opens at the Modern Art Museum of Fort Worth (1989–90) and then travels to the Museum of Modern Art in New York, the Los Angeles County Museum of Art and the Detroit Institute of Arts.

  5. 1990–1994

    The National Academy of Design

    In 1990 she is elected an Associate member of the National Academy of Design, and in 1994 she becomes a full Academician.

Autres œuvres : Helen Frankenthaler

Toutes les œuvres
Rio Grande, Helen Frankenthaler, 1987

Rio Grande

1987 · Minneapolis Institute of Art

10/29/52, Helen Frankenthaler, 1952

10/29/52

1952 · Art Institute of Chicago

Blue Form in a Scene, Helen Frankenthaler, 1961

Blue Form in a Scene

1961 · Whitney Museum of American Art

Great Meadows (recto); Untitled (Landscape) (verso), Helen Frankenthaler, 1951

Great Meadows (recto); Untitled (Landscape) (verso)

1951 · Non exposée · Museum of Modern Art

Trojan Gates, Helen Frankenthaler, 1955

Trojan Gates

1955 · Non exposée · Museum of Modern Art

Jacob's Ladder, Helen Frankenthaler, 1957

Jacob's Ladder

1957 · Non exposée · Museum of Modern Art

First Stone, Helen Frankenthaler, 1961

First Stone

1961 · Non exposée · National Gallery of Art

Brown Moons, Helen Frankenthaler, 1961

Brown Moons

1961 · Non exposée · National Gallery of Art

Sous le même toit : Museum of Modern Art

Page du musée
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

La Nuit étoilée, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950