Tobie et l'ange, Rosa, Salvator, 2e quart du XVIIe siècle (1625 - 1650)
Salvator Rosa, portraitSalvator RosaItalie, 1615–1673

Tobie et l'ange

2e quart du XVIIe siècle (1625 - 1650) · Peintures

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Pas exposée actuellement

Où est « Tobie et l'ange » aujourd’hui ? Collection: Musée du Louvre, Paris. Pas exposée actuellement. Vérifié 26 septembre 2026.

Musée du Louvre

Paris, France

Elle appartient à la collection, mais n’est pas présentée en ce moment.

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Source
Le musée

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Numéro d’inventaire
INV 583

Au catalogue

Sources

  • Musée du Louvre
  • Image : Musée du Louvre — © 2023 GrandPalaisRmn (musée du Louvre) / Mathieu Rabeau

Dans la vie de Salvator Rosa

La vie entière
  1. c. 1633

    Wanderings through Apulia and Calabria, Captivity among Bandits

    At eighteen he set out on a journey through Apulia and Calabria, fell into the hands of local bandits, and lived among them for a time, studying their types and ways.

  2. 1634–1636

    First Roman Period on Lanfranco's Advice

    Giovanni Lanfranco, who had noticed his works in Falcone's studio, advised him to move to Rome, where Rosa remained from 1634 to 1636.

  3. 1638

    Move to Rome under the Protection of Cardinal Brancaccio

    He settled in Rome under the patronage of the influential Cardinal Francesco Maria Brancaccio, a lover of the arts and theater who was close to the Barberini family.

  4. 1640

    Meeting Lucrezia Paolini

    In Florence he met Lucrezia Paolini, who had been abandoned by her husband; she became his lifelong companion and was probably the model for the allegory of Music (c. 1641).

  5. 1640–1649

    Florentine Period at the Medici Court

    After scandalous quarrels with Bernini and his failure to gain admission to the Accademia di San Luca, he moved to Florence at the invitation of Giovanni Carlo de' Medici, where he remained until 1649.

  6. 1647

    Participation in Masaniello's Revolt

    According to a widespread account, he took part in the popular uprising led by Masaniello in Naples; he painted a portrait of Masaniello and expressed sympathy for the revolt in one of his satires.

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