Albrecht DürerAllemagne, 1471–1528The Resurrection
Peut-on la contempler ?
Elle ne reçoit pas en ce moment
Cleveland Museum of Art
Cleveland, États-Unis
Elle appartient à la collection, mais n’est pas présentée en ce moment.
Collection: National Gallery of Art, Washington
- Vérifié
- Dans cet état depuis
- Source
- Le musée
Notice
- Numéro d’inventaire
- 1943.3.3512
Ce qu’elle montre
Au catalogue
Allées et venues
Non exposée en ce moment
Cleveland Museum of Art · 2 oct. 2026 — aujourd’hui · Vérifié
Non exposée en ce moment
National Gallery of Art · 29 sept. 2026 — 2 oct. 2026 · Vérifié
Non exposée en ce moment
Cleveland Museum of Art · 29 sept. 2026 — 29 sept. 2026 · Vérifié
Non exposée en ce moment
National Gallery of Art · 29 sept. 2026 — 29 sept. 2026 · Vérifié
Non exposée en ce moment
Cleveland Museum of Art · 28 sept. 2026 — 29 sept. 2026 · Vérifié
Non exposée en ce moment
National Gallery of Art · 28 sept. 2026 — 28 sept. 2026 · Vérifié
Non exposée en ce moment
Cleveland Museum of Art · 27 sept. 2026 — 28 sept. 2026 · Vérifié
Non exposée en ce moment
National Gallery of Art · 26 sept. 2026 — 27 sept. 2026 · Vérifié
Non exposée en ce moment
Cleveland Museum of Art · 19 août 2026 — 26 sept. 2026 · Vérifié
Sources
- Cleveland Museum of Art
- Image : National Gallery of Art — Museum open access
Pendant ce temps, chez Albrecht Dürer
La vie entière1507–1528 · Lieu de travail
Nuremberg
1511
Publishes the Great Passion and the Life of the Virgin
Dürer published two woodcut series as books, the Great Passion and the Life of the Virgin, with a second edition of the Apocalypse and the 37 woodcuts of the Little Passion. His post-Venetian woodcuts developed chiaroscuro modelling.
1512
Emperor Maximilian I becomes his chief patron
From 1512 Emperor Maximilian I was Dürer's chief patron. For him Dürer and his workshop produced the Triumphal Arch, a giant woodcut 295 × 357 cm printed from 192 blocks and modelled on the triumphal arches of ancient Rome.
3 January 1512
Nuremberg's privilege against forgeries
Nuremberg's city council granted Dürer a privilege for the sale of his prints, with penalties for anyone who forged them.
1513–1516
Three years without painting
Complaining that painting did not pay enough to justify the time compared with his prints, Dürer produced no paintings from 1513 to 1516.
1514
Death of his mother
In the year of Melencolia I and St Jerome in His Study, the artist's mother, Barbara Holper, died.
![Madonna and Child [obverse], Albrecht Dürer, c. 1496/1499](https://api.nga.gov/iiif/878db7e6-10ae-4cae-ba5d-6d6f5c413ae8/full/!2400,2400/0/default.jpg)
![Lot and His Daughters [reverse], Albrecht Dürer, c. 1496/1499](https://api.nga.gov/iiif/7565a449-f82a-414b-9bda-c93f55a51b4d/full/!2400,2400/0/default.jpg)
