The Nativity

1504 · Print

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Cleveland, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Collection: National Gallery of Art, Washington

Non exposée en ce moment
Cleveland Museum of Art · 2 oct. 2026 — aujourd’hui · Vérifié
Non exposée en ce moment
National Gallery of Art · 29 sept. 2026 — 2 oct. 2026 · Vérifié
Non exposée en ce moment
Cleveland Museum of Art · 29 sept. 2026 — 29 sept. 2026 · Vérifié
Non exposée en ce moment
National Gallery of Art · 29 sept. 2026 — 29 sept. 2026 · Vérifié
Non exposée en ce moment
Cleveland Museum of Art · 28 sept. 2026 — 29 sept. 2026 · Vérifié
Non exposée en ce moment
National Gallery of Art · 28 sept. 2026 — 28 sept. 2026 · Vérifié
Non exposée en ce moment
Cleveland Museum of Art · 27 sept. 2026 — 28 sept. 2026 · Vérifié
Non exposée en ce moment
National Gallery of Art · 26 sept. 2026 — 27 sept. 2026 · Vérifié
Non exposée en ce moment
Cleveland Museum of Art · 19 août 2026 — 26 sept. 2026 · Vérifié

1501–1502
In the circle of Nuremberg's humanists
Through his lifelong friend Willibald Pirckheimer, Dürer entered the circle of Nuremberg's humanists. He engraved illustrations for Conrad Celtis's editions of Hrotsvitha (1501) and of his Four Books of Love (1502), and decorated 14 books in Pirckheimer's library with drawings.
1502
Death of his father
Albrecht Dürer the Elder died, and his son took on the care of his mother and his two younger brothers, Endres and Hans.
1504 · Lieu de travail
Lutherstadt Wittenberg
1505
Second journey to Italy
Dürer set off for Italy again — perhaps not only to earn money but also to stop Marcantonio Raimondi from copying his prints. His stay in Venice is known from ten surviving letters to Pirckheimer.
1505–1507
To Bologna for the secrets of perspective
Dürer travelled to the university city of Bologna, hoping to learn the secrets of geometric perspective from its scholars. He then meant to visit Mantegna in Padua but received news of his death, which he greatly regretted afterwards.
1505–1507
Friendship with Giovanni Bellini
Dürer considered Giovanni Bellini “the best in painting”, the only Venetian master with whom he became friends. The Madonna of the Siskin may have been painted at Bellini's request.