Albrecht DürerAllemagne, 1471–1528Das große Pferd
Peut-on la contempler ?
Inconnu
Musée Herzog Anton Ulrich
Brunswick, Allemagne
Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.
- Dans cet état depuis
- Source
- Le musée
Notice
Pendant ce temps, chez Albrecht Dürer
La vie entière1504 · Lieu de travail
Lutherstadt Wittenberg
1505
Second journey to Italy
Dürer set off for Italy again — perhaps not only to earn money but also to stop Marcantonio Raimondi from copying his prints. His stay in Venice is known from ten surviving letters to Pirckheimer.
1505–1507
To Bologna for the secrets of perspective
Dürer travelled to the university city of Bologna, hoping to learn the secrets of geometric perspective from its scholars. He then meant to visit Mantegna in Padua but received news of his death, which he greatly regretted afterwards.
1505–1507
Friendship with Giovanni Bellini
Dürer considered Giovanni Bellini “the best in painting”, the only Venetian master with whom he became friends. The Madonna of the Siskin may have been painted at Bellini's request.
1505–1507 · Lieu de travail
Venice
1507–1528 · Lieu de travail
Nuremberg
![Madonna and Child [obverse], Albrecht Dürer, c. 1496/1499](https://api.nga.gov/iiif/878db7e6-10ae-4cae-ba5d-6d6f5c413ae8/full/!2400,2400/0/default.jpg)
![Lot and His Daughters [reverse], Albrecht Dürer, c. 1496/1499](https://api.nga.gov/iiif/7565a449-f82a-414b-9bda-c93f55a51b4d/full/!2400,2400/0/default.jpg)
![The Watering Place (Horses Bathing) [L'abreuvoir (chevaux au bain)], Pablo Picasso, 1906](https://api.nga.gov/iiif/bbac782b-88ea-4477-97a5-4369aa47b98a/full/!2400,2400/0/default.jpg)
