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  1. Collection/
  2. Victoria and Albert Museum/
  3. The Menai Strait
The Menai Strait, James Baker Pyne, 1846

The Menai Strait

1846 · Oil painting · 61 × 91.4 cm

À propos du tableau

Having trained as an attorney, James Baker Pyne (1800-1870) taught himself painting and began working as a professional artist in his native Bristol. He exhibited seven works at the RA between 1836 and 1855, 28 at the BI 1828-63, and 194 at the Society of British Artists between 1833 and 1870. He painted mainly landscapes.

Lire la suite

Between 1839 and 1869 Pyne recorded his paintings in a series of account books, now kept at the National Art Library. This painting is probably number 179; "The Menai Straits". The location of the painting has been identified as a romanticised view of Port Dinorwig (Y Felin Heli), which is situated in the county of Gwynedd opposite the Moel y don in North Wales. This peaceful landscape is a very romanticised version of how the landscape would have looked in 1846 when this painting is dated. In this composition Pyne has left out a stone quarry that was built along the foreshore in 1839-41 and a tramway that ran between the quarry and the quay. This shows the artist making a conscious decision to include elements to create a composition that would appeal to a mid-nineteenth century audience.

Victoria and Albert Museum

Notice

1846 · à 46 ans

Autres œuvres : James Baker Pyne

Toutes les œuvres

Sous le même toit : Victoria and Albert Museum

Page du musée

Sur le même thème · Wales

Toutes les œuvres sur ce thème
18001870
Numéro d’inventaire
E.413-2007

Sources

  • Victoria and Albert Museum
  • Image : Victoria and Albert Museum — © Victoria and Albert Museum, London
James Baker Pyne, portraitJames Baker PyneRoyaume-Uni, 1800–1870

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Victoria and Albert Museum

Londres, Royaume-Uni

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 12 jours
Dans cet état depuis
25 sept. 2026
Source
Le musée
Sur la cartePage du musée
The Mulgrave Alum Works at Sandsend, Yorkshire Coast, James Baker Pyne, 1844

The Mulgrave Alum Works at Sandsend, Yorkshire Coast

1844 · National Gallery

Landscape, James Baker Pyne

Landscape

Non exposée · Cleveland Museum of Art

View of Windsor Castle, James Baker Pyne, mid 19th century

View of Windsor Castle

mid 19th century · Non exposée · Victoria and Albert Museum

Drawing, James Baker Pyne, ca. mid 19th century

Drawing

ca. mid 19th century · Non exposée · Victoria and Albert Museum

Drawing, James Baker Pyne, ca. mid 19th century

Drawing

ca. mid 19th century · Non exposée · Victoria and Albert Museum

Windsor, James Baker Pyne, 19th century

Windsor

19th century · Non exposée · Musées d'Art de Harvard

Distant view of Arundel Castle, James Baker Pyne, ca. 1820-70

Distant view of Arundel Castle

ca. 1820-70 · Non exposée · Victoria and Albert Museum

Landscape With Figures, James Baker Pyne, 1836

Landscape With Figures

1836 · Non exposée · Victoria and Albert Museum

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Dic Jones, ex Bardic Chair-holder, farmer on school steps where Eisteddfod Englynion contest was held. _In the Night_: "No hymn of birds, no Tremor -- save the sounds of the sea's sad tenor, / The stars ascend in splendor / and the dark creeps round the door." Aberystwyth, Wales April 8, 1995., Allen Ginsberg, 1995

Allen Ginsberg

Dic Jones, ex Bardic Chair-holder, farmer on school steps where Eisteddfod Englynion contest was held. _In the Night_: "No hymn of birds, no Tremor -- save the sounds of the sea's sad tenor, / The stars ascend in splendor / and the dark creeps round the door." Aberystwyth, Wales April 8, 1995., 1995

Non exposée · National Gallery of Art

Poet Dafydd Rowlands above Laugharne Bay & Dylan Thomas' boat-house, we'd drive back from Aberystwyth Eisteddfod englynion competition, met Bardic Chair-holders Dic Jones, & we returned to Swansea Poetry festival where I'd stayed nearly a week, April 8, 1995, Allen Ginsberg, 1995

Allen Ginsberg

Poet Dafydd Rowlands above Laugharne Bay & Dylan Thomas' boat-house, we'd drive back from Aberystwyth Eisteddfod englynion competition, met Bardic Chair-holders Dic Jones, & we returned to Swansea Poetry festival where I'd stayed nearly a week, April 8, 1995, 1995

Non exposée · National Gallery of Art

Welsh Poet Dafydd Rowlands & myself above Laugharne Bay & Dylan Thomas' Boat-house, he'd driven us back from Aberystwyth Eisteddfod englynion competition where we'd met ex-Bardic Chair-holder former Dic Jones, thence we returned to Swansea Poetry Festival where I'd stayed six days, April 5, 1995., Allen Ginsberg, 1995

Allen Ginsberg

Welsh Poet Dafydd Rowlands & myself above Laugharne Bay & Dylan Thomas' Boat-house, he'd driven us back from Aberystwyth Eisteddfod englynion competition where we'd met ex-Bardic Chair-holder former Dic Jones, thence we returned to Swansea Poetry Festival where I'd stayed six days, April 5, 1995., 1995

Non exposée · National Gallery of Art

View on the River Wye, Looking towards Chepstow, John Martin, 1844

John Martin

View on the River Wye, Looking towards Chepstow, 1844

Non exposée · National Gallery of Art

Caerau, Wales, Robert Frank, 1953

Robert Frank

Caerau, Wales, 1953

Non exposée · National Gallery of Art

Ben James, Coal Miner, Robert Frank, 1953

Robert Frank

Ben James, Coal Miner, 1953

Non exposée · National Gallery of Art

Wales, Ben James, Robert Frank, 1953

Robert Frank

Wales, Ben James, 1953

Non exposée · National Gallery of Art

Wales, Ben James, Robert Frank, 1953

Robert Frank

Wales, Ben James, 1953

Non exposée · National Gallery of Art

Ce qu’elle montre

Wales

Au catalogue

PeinturesHuilePeinture britanniqueRomantismeRéalismeXIXe siècleBritish SchoolVictorianPays de Galles