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  1. Collection/
  2. Minneapolis Institute of Art/
  3. The Living Room
The Living Room, Balthus, 1941–43
Balthus, portraitBalthusFrance, 1908–2001

The Living Room

1941–43 · Painting · 113.03 × 146.69 cm

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Minneapolis Institute of Art

Minneapolis, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
avant-hier
Dans cet état depuis
25 sept. 2026
Source
Les données de collection du musée lui-même
Sur la cartePage du musée

À propos du tableau

Although his first exhibition was in a Surrealist gallery and he had many friends among the Surrealists, Balthus never adopted the methods of Surrealism. He has no interest in the visual puns, automatism, or abstraction at the center of that movement. What he does share with Surrealism is an interest in eroticism as a central fact of psychic life. His constant theme is the self-absorbed, dawning sexuality of adolescent girls.

Minneapolis Institute of Art

Notice

1941–43 · à 33 ans
19082001
Numéro d’inventaire
66.66

Au catalogue

PeinturesHuilePeinture françaiseModernismeXXe siècleFrance

Sources

  • Minneapolis Institute of Art : les données ouvertes du musée · obtenue il y a 8 jours
  • Image : Minneapolis Institute of Art — ©Artists Rights Society (ARS), New York / ADAGP, Paris

Pendant ce temps, chez Balthus

La vie entière
  1. 1930s

    His Paris circle: Artaud, Giacometti, Miró, Derain

    Back in Paris, Balthus joins the circle of the Surrealists; his work is admired early on by André Breton and Pablo Picasso. His friends include the writers Antoine de Saint-Exupéry, Henri Michaux, Michel Leiris and René Char, the photographer Man Ray, the playwright Antonin Artaud, and the painters André Derain, Joan Miró and Alberto Giacometti, one of his most faithful friends.

  2. 1940

    Flees the invasion for Savoy

    When German forces invade France in 1940, Balthus and his wife Antoinette flee to Savoy, to a farm in Champrovent near Aix-les-Bains.

  3. 1940s

    Turns from Surrealism to a manner of his own

    By the early 1940s Balthus has finally left the principles of Surrealism behind; his attention is drawn to the theme of awakening femininity, and symbolic motifs — a mirror, a butterfly, a cat — and adolescent girls in domestic settings begin to appear in his canvases.

  4. 1942

    Escapes occupied France for Switzerland

    In 1942 Balthus escapes from occupied France to Switzerland, first to Bern.

  5. 13 octobre 1942

    Son born: Stanislas Klossowski de Rola

Autres œuvres : Balthus

Toutes les œuvres
Girl with Cat, Balthus, 1937

Girl with Cat

1937 · Art Institute of Chicago

Untitled, Balthus, c. 1972

Untitled

c. 1972 · Art Institute of Chicago

Study for The Street, Balthus, (1929)

Study for The Street

(1929) · Non exposée · Museum of Modern Art

Illustrations for Bronte: Wuthering Heights. a) "...The Room is Haunted! I'm Afraid of Being Alone!". b) "Miss Cathy Seized Him Again", Balthus, (1933)

Illustrations for Bronte: Wuthering Heights. a) "...The Room is Haunted! I'm Afraid of Being Alone!". b) "Miss Cathy Seized Him Again"

(1933) · Non exposée · Museum of Modern Art

a) Study for Cathy Dressing b) Study for The Street, Balthus, (1933)

a) Study for Cathy Dressing b) Study for The Street

(1933) · Non exposée · Museum of Modern Art

The Street, Balthus, 1933

The Street

1933 · Non exposée · Museum of Modern Art

André Derain, Balthus, 1936

André Derain

1936 · Non exposée · Museum of Modern Art

Joan Miró and His Daughter Dolores, Balthus, October 1937-January 1938

Joan Miró and His Daughter Dolores

October 1937-January 1938 · Non exposée · Museum of Modern Art

Sous le même toit : Minneapolis Institute of Art

Page du musée
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Goya et son médecin, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34