The Last Judgment, Albrecht Dürer, probably c. 1509/1510
Albrecht Dürer, portraitAlbrecht DürerAllemagne, 1471–1528

The Last Judgment

probably c. 1509/1510 · Print

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National Gallery of Art

Washington, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

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Numéro d’inventaire
1943.3.3668

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Au catalogue

Sources

Pendant ce temps, chez Albrecht Dürer

La vie entière
  1. 1505–1507

    To Bologna for the secrets of perspective

    Dürer travelled to the university city of Bologna, hoping to learn the secrets of geometric perspective from its scholars. He then meant to visit Mantegna in Padua but received news of his death, which he greatly regretted afterwards.

  2. 1505–1507

    Friendship with Giovanni Bellini

    Dürer considered Giovanni Bellini “the best in painting”, the only Venetian master with whom he became friends. The Madonna of the Siskin may have been painted at Bellini's request.

  3. 1505–1507 · Lieu de travail

    Venice

  4. 1507–1528 · Lieu de travail

    Nuremberg

  5. 1511

    Publishes the Great Passion and the Life of the Virgin

    Dürer published two woodcut series as books, the Great Passion and the Life of the Virgin, with a second edition of the Apocalypse and the 37 woodcuts of the Little Passion. His post-Venetian woodcuts developed chiaroscuro modelling.

  6. 1512

    Emperor Maximilian I becomes his chief patron

    From 1512 Emperor Maximilian I was Dürer's chief patron. For him Dürer and his workshop produced the Triumphal Arch, a giant woodcut 295 × 357 cm printed from 192 blocks and modelled on the triumphal arches of ancient Rome.

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