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  1. Collection/
  2. Metropolitan Museum of Art/
  3. The Lamentation
The Lamentation, Ludovico Carracci, ca. 1582

The Lamentation

ca. 1582 · Painting

Notice

ca. 1582
15551619
Numéro d’inventaire
2000.68

Pendant ce temps, chez Ludovico Carracci

La vie entière
  1. 1570–1580

    Training under Prospero Fontana and journeys through Italy

    Ludovico studies painting under Prospero Fontana and, probably, Camillo Procaccini; on his journeys through Italy he studies the works of renowned masters, visiting Florence, Parma, Mantua and Venice. According to Malvasia, Tintoretto noticed a lack of originality in the young Carracci's work and advised him to give up painting, but the headstrong pupil did not listen.

  2. 1580s

    The academy's programme: eclecticism and drawing from life

    Following the principle of conscious eclecticism, the Carracci sought to imitate Raphael in drawing and composition, Michelangelo in movement, Titian in colour and Correggio in chiaroscuro and grace. The academy aimed at a complete education, including perspective and plastic anatomy, and its pupils could draw from live nude models, which the Church of the Counter-Reformation forbade.

  3. 1582

    Opening of the Carracci workshop-academy in Bologna

    Together with Annibale and Agostino Carracci he opens a workshop, first called the Accademia dei Desiderosi and then the Accademia degli Incamminati (“of those on the right path”); Ludovico is regarded as its chief organiser. Other accounts date the founding of the academy to about 1585, and more recent conjecture holds that there was no formal academy with a curriculum, only Ludovico tutoring many pupils in his studio (among them Lorenzo Garbieri, Giacomo Cavedone and Francesco Camullo).

Autres œuvres : Ludovico Carracci

Toutes les œuvres

Dans la même salle · Gallery 620, Metropolitan Museum of Art

Page du musée

Sur le même thème · Christ

Toutes les œuvres sur ce thème
Ludovico Carracci, portraitLudovico CarracciItalie, 1555–1619

Peut-on la contempler ?

Oui, elle reçoit

Metropolitan Museum of Art

New York, États-Unis

Salle620

Présentée au public. Qui s’en porte garant est indiqué ci-dessous.

Vérifié
il y a 3 jours
Dans cet état depuis
26 sept. 2026
Source
Le musée
Sur la cartePage du musée

Ce qu’elle montre

ChristMary MagdaleneSaint John the EvangelistVirgin MaryLamentation

Au catalogue

PeinturesHuilePeinture italienneRenaissanceXVIe siècle

Sources

  • Metropolitan Museum of Art
  • Image : Metropolitan Museum of Art — Open Access (CC0)
Madonna with Child, St Anthony, St Lawrence, St Elizabeth, St John the Baptist and St Barbara (St Catherine ?), Ludovico Carracci

Madonna with Child, St Anthony, St Lawrence, St Elizabeth, St John the Baptist and St Barbara (St Catherine ?)

Musée de l'Ermitage

La Vierge et l'Enfant, Carrache, Ludovic, Fin du XVIe siècle - début du XVIIè siècle (1575 - 1625)

La Vierge et l'Enfant

Fin du XVIe siècle - début du XVIIè siècle (1575 - 1625) · Musée du Louvre

Het visioen van de heilige Franciscus van Assisi, Ludovico Carracci, 1583 - 1585

Het visioen van de heilige Franciscus van Assisi

1583 - 1585 · Rijksmuseum Amsterdam

L'Apparition de la Vierge et de l'Enfant Jésus à saint Hyacinthe, Carrache, Ludovic, 4e quart du XVIe siècle (1594)

L'Apparition de la Vierge et de l'Enfant Jésus à saint Hyacinthe

4e quart du XVIe siècle (1594) · Musée du Louvre

Madonna and Child with Saints, Ludovico Carracci, 1607

Madonna and Child with Saints

1607 · Metropolitan Museum of Art

Saint Sebastian Thrown into the Cloaca Maxima, Ludovico Carracci, 1612

Saint Sebastian Thrown into the Cloaca Maxima

1612 · J. Paul Getty Museum

The Denial of Saint Peter, Ludovico Carracci, ca. 1616

The Denial of Saint Peter

ca. 1616 · Metropolitan Museum of Art

The Vision of Saint Francis, Lodovico Carracci, c. 1602

The Vision of Saint Francis

c. 1602 · Art Institute of Chicago

The Musicians, Caravaggio, 1597

Caravaggio

Les Musiciens, 1597

The Denial of Saint Peter, Caravaggio, 1610

Caravaggio

Le Reniement de saint Pierre, 1610

The Immaculate Conception, Guido Reni, 1627

Guido Reni

The Immaculate Conception, 1627

The Coronation of the Virgin, Annibale Carracci, after 1595

Annibale Carracci

The Coronation of the Virgin, after 1595

Samson Captured by the Philistines, Guercino, 1619

Giovanni Francesco Barbieri, called Guercino

Samson Captured by the Philistines, 1619

Charity, Guido Reni, ca. 1630

Guido Reni

Charity, ca. 1630

Saint John the Baptist Bearing Witness, Annibale Carracci, ca. 1600

Annibale Carracci

Saint John the Baptist Bearing Witness, ca. 1600

The Burial of Christ, Annibale Carracci, 1595

Annibale Carracci

The Burial of Christ, 1595

a) The Last Supper; b) Putti, Vincenzo Tamagni, after Leonardo da Vinci, c. 1515

Leonardo da Vinci

a) The Last Supper; b) Putti, c. 1515

Non exposée · National Gallery of Art

The Last Supper, after Leonardo da Vinci, probably 19th century

Leonardo da Vinci

The Last Supper, probably 19th century

Non exposée · National Gallery of Art

Christ Carrying the Cross, El Greco, ca. 1577–87

El Greco

Christ Carrying the Cross, ca. 1577–87

Metropolitan Museum of Art

Diptyque de la Crucifixion et du Jugement dernier, Jan van Eyck, ca. 1436–38

Jan van Eyck

Diptyque de la Crucifixion et du Jugement dernier, ca. 1436–38

Metropolitan Museum of Art

Christ and the Two Thieves Crucified, Michelangelo Buonarroti, ca. 1560–70

Michelangelo

Christ and the Two Thieves Crucified, ca. 1560–70

Metropolitan Museum of Art

The Supper at Emmaus, Pierre Fatoure and Gabriel Lejeune, after Caravaggio, c. 1609/1610

Caravaggio

The Supper at Emmaus, c. 1609/1610

Non exposée · National Gallery of Art

Ecce Homo, Caravaggio, 1674–1684

Caravaggio

Ecce Homo, 1674–1684

Musée Herzog Anton Ulrich

The Lamentation of the Virgin, Marcantonio Raimondi after Raphael, 1510

Raphael

The Lamentation of the Virgin, 1510

Non exposée · National Gallery of Art