The Condottiere, Giorgio de Chirico, 1917
Giorgio de Chirico, portraitGiorgio de ChiricoItalie, 1888–1978

The Condottiere

1917 · Drawing

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Museum of Modern Art

New York, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
Source
Le musée

Notice

Numéro d’inventaire
907.1979

Au catalogue

Sources

Pendant ce temps, chez Giorgio de Chirico

La vie entière
  1. 1915

    Return to Italy and the hospital at Ferrara

    At the outbreak of the First World War de Chirico returns to Italy; on his arrival in May 1915 he enlists in the army but is considered unfit for work and assigned to the hospital at Ferrara. The shop windows of the town inspire a series of paintings featuring biscuits, maps and geometric constructions in indoor settings.

  2. 1917

    Friendship with Carlo Carrà: metaphysical painting

    In 1917, in the military hospital at Ferrara, de Chirico befriends the painter Carlo Carrà, and together they found the movement of metaphysical painting. Between 1908 and 1917 he creates his most significant works — views of deserted city squares and still lifes.

  3. 1918

    Moving to Rome

    In 1918 de Chirico moves to Rome; from this year his work is exhibited extensively in Europe.

  4. November 1919

    The article “The Return of Craftsmanship”

    In November 1919 de Chirico publishes in the journal Valori plastici the article “The Return of Craftsmanship,” advocating a return to traditional methods and iconography; it heralds an abrupt change of orientation toward a classicizing manner inspired by Raphael and Signorelli and makes him an outspoken opponent of modern art.

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