Anthony van DyckFlandre, 1599–1641Tête d'enfant
Peut-on la contempler ?
Inconnu
Rennes, France
Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.
- Dans cet état depuis
- Source
- Le musée
Notice
- Numéro d’inventaire
- Inv 794.1.3275 ; C. 121-6 (Ancien numéro)
Ce qu’elle montre
Au catalogue
Sources
- Musée des Beaux-Arts de Rennes
- Image : Musée des Beaux-Arts de Rennes — © Jean-Manuel Salingue; Ministère de la Culture (France), base Joconde
Pendant ce temps, chez Anthony van Dyck
La vie entière22 mars 1599
Born
from 1617
Beginning of Work with Rubens
From 1617 Van Dyck collaborated for a long period with Peter Paul Rubens, whose pupil he became, giving up his independent workshop; Rubens spoke of him as his best pupil.
20 November 1621
Departure for Italy, Arrival in Genoa
In 1621 Van Dyck decided to go to Italy; Rubens supplied him with funds and letters of introduction. On 20 November 1621 he arrived in Genoa and remained in Italy for six years, where his fame as a portraitist was consolidated.
5 July 1632
Principal Painter to King Charles I
On 5 July 1632 Charles I officially appointed Van Dyck principal painter to the king, guaranteeing an annual income of two hundred pounds sterling; the king gave him a large house with a garden on the banks of the Thames.
27 février 1640
Married: Mary Ruthven
9 décembre 1641
Died
