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  1. Collection/
  2. Art Institute of Chicago/
  3. Sky above Clouds IV
Sky above Clouds IV, Georgia O'Keeffe, 1965

Sky above Clouds IV

1965 · Painting

À propos du tableau

Painted in the summer of 1965, when Georgia O’Keeffe was 77 years old, this monumental work culminates a series inspired by the artist’s experiences as an airplane passenger during the 1950s. Working in Abiquiu, New Mexico, O’Keeffe began around 1963 to capture the endless expanses of clouds she had observed from airplane windows during trips all over the world. Beginning with a relatively realistic depiction of small white clouds on a three-by-four-foot canvas, she progressed to more stylized images of the motif on larger surfaces. O’Keeffe wrote:

"I painted a painting eight feet high and twenty-four feet wide—it kept me working every minute from six a.m. till eight or nine at night as I had to be finished before it was cold—I worked in the garage and it had no heat—Such a size is of course ridiculous but I had it in my head as something I wanted to do for a couple of years."

Lire la suite

In 1970 Sky above Clouds IV was scheduled to be included in a retrospective of O’Keeffe’s work at the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the San Francisco Museum of Art. After being shown in New York and Chicago, the painting was determined to be too large to enter the doors of the museum in San Francisco. It thus remained on loan to the Art Institute for more than a decade, while the artist and public-minded collectors of her art arranged for it to join the museum’s permanent collection.

The special relationship between O’Keeffe and the Art Institute began in 1905, when she enrolled as a student at the School of the Art Institute. Her first museum retrospective was organized here in 1943. Later, as the executor for the estate of her husband, the pioneering American photographer and art dealer Alfred Stieglitz, O’Keeffe presented the Art Institute with an important group of modernist works, including a number of her own, many of which are on view in the galleries of American art. She continued to make significant additions to this bequest until her death, at age 98, in 1986.

Autres œuvres : Georgia O'Keeffe

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Sous le même toit : Art Institute of Chicago

Page du musée

Sur le même thème · Landscape

Toutes les œuvres sur ce thème

Art Institute of Chicago · CC BY 4.0

Notice

1965 · à 78 ans
18871986
Numéro d’inventaire
1983.821

Sources

  • Art Institute of Chicago
  • Image : Art Institute of Chicago — © the artist or rights holder
Georgia O'Keeffe, portraitGeorgia O'KeeffeÉtats-Unis, 1887–1986

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Chicago, États-Unis

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Abstraction Blue, Georgia O'Keeffe, 1927

Abstraction Blue

1927 · Museum of Modern Art

Shell No. I, Georgia O'Keeffe, 1928

Shell No. I

1928 · National Gallery of Art

Jack-in-the-Pulpit No. IV, Georgia O'Keeffe, 1930

Jack-in-the-Pulpit No. IV

1930 · National Gallery of Art

Jack-in-Pulpit Abstraction - No. 5, Georgia O'Keeffe, 1930

Jack-in-Pulpit Abstraction - No. 5

1930 · National Gallery of Art

Black Place I, Georgia O'Keeffe, 1945

Black Place I

1945 · Minneapolis Institute of Art

A Black Bird with Snow-Covered Red Hills, Georgia O'Keeffe, 1946

A Black Bird with Snow-Covered Red Hills

1946 · National Gallery of Art

Pedernal -- From the Ranch #1, Georgia O'Keeffe, 1956

Pedernal -- From the Ranch #1

1956 · Minneapolis Institute of Art

Summer Days, Georgia O'Keeffe, 1936

Summer Days

1936 · Whitney Museum of American Art

The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Un dimanche après-midi à l'Île de la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Rue de Paris, temps de pluie, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Les Deux Sœurs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

La Corbeille de pommes, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942

Wheat Field with Cypresses, Vincent van Gogh, 1889

Vincent van Gogh

Wheat Field with Cypresses, 1889

Metropolitan Museum of Art

Houses on the Achterzaan, Claude Monet, 1871

Claude Monet

Houses on the Achterzaan, 1871

Metropolitan Museum of Art

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

Paysage avec un pont de pierre, c. 1638

Rijksmuseum Amsterdam

Hiëronymus lezend in een Italiaans landschap, Rembrandt van Rijn, c. 1653

Rembrandt van Rijn

Hiëronymus lezend in een Italiaans landschap, c. 1653

Rijksmuseum Amsterdam

From Glacier Point, Ansel Adams, 1927

Ansel Adams

From Glacier Point, 1927

Non exposée · National Gallery of Art

Oak Tree, Snowstorm, Yosemite National Park, California, Ansel Adams, 1948, printed 1981

Ansel Adams

Oak Tree, Snowstorm, Yosemite National Park, California, 1948, printed 1981

Non exposée · National Gallery of Art

High Country Crags and Moon, Sunrise, Kings Canyon National Park, California, Ansel Adams, c. 1935, printed 1979

Ansel Adams

High Country Crags and Moon, Sunrise, Kings Canyon National Park, California, c. 1935, printed 1979

Non exposée · National Gallery of Art

Canyon de Chelly National Monument, Arizona, Ansel Adams, 1942, printed 1981

Ansel Adams

Canyon de Chelly National Monument, Arizona, 1942, printed 1981

Non exposée · National Gallery of Art

Ce qu’elle montre

LandscapeChicago

Au catalogue

PeinturesHuilePeinture américaineArt d’après-guerreXXe siècleModernismeÉtats-Unis